Classic Sports Car

ALPINE TRIAL

As a robust group of warriors climbs into the Alps above Turin, can the Italian duo of Alfa Romeo Matta and Fiat Campagnola topple an all-american icon, the Willys MB Jeep?

- WORDS JOHANNES RIEGSINGER PHOTOGRAPH­Y THOMAS STARCK

Our camera car – a brandnew Jeep Cherokee featuring the very latest technology, but packed with heavy photograph­y equipment and sitting on completely inappropri­ate low-profile summer tyres – has become hopelessly stuck in a snowdrift. One of the harsh remnants of the past winter that has survived into the Alpine summer, way up here in a depression below the Colle dell’assietta main ridge.

Would the XXL excavator of an Italian road constructi­on team be suitable to push the modern Jeep out of the snowdrift? Hectic argument ensues over the best way to progress, and after a good half an hour the noisy problemsol­ving debate – conducted in a mixture of rapid-fire Italian and dramatic hand gestures – appears to be edging towards a result.

With a regretful shrugging of the shoulders, the conclusion is that there is simply nothing more to be done: the Cherokee will just have to stay where it is until the snow around it thaws, or until fate leads it to a freezing grave.

But one onlooker has been following this operetta very quietly, his head cocked and his face motionless. Franco Melotti is one of the leaders of the Italian Alfa Romeo Matta Club, and was once a hard-hitting warrior in trials. And right now he’s fed up. Behind him, two other historic off-road vehicles are waiting to climb the final few metres of the pass, but the stranded modern blocks their path. Without a word, Melotti climbs into his 65-year-old Alfa Romeo 1900M AR51 ‘La Matta’ and, to the growing horror of his audience, crosses an avalanche of debris in the fall line before driving the ancient military machine over to the front of the stranded SUV, tethering the new to the old and finally hauling the 2020 Jeep from the ice, completely without spectacle. Despite mustering just 64bhp against a good two tons of Illinois iron, the Alfa’s exotic-spec 1.9-litre dry-sump, twin-overhead-cam ‘four’ seems untroubled, underlinin­g this impressive show of strength with a characteri­stically Latin rasp.

Melotti’s ex-military AR51 was extensivel­y used for trials in the past, with the correspond­ing modificati­ons, but in recent years it has been lovingly returned to its original specificat­ion and condition, as first delivered to the Italian Army, complete with the classic Alfa Romeo shield just visible in the shape of its front grille.

Yet it is still enjoyed in the manner for which it was created, and the successful rescue seems to have a positively euphoric effect on Melotti. Having driven the AR51 with the strictest discipline for hours, in convoy with a Fiat 1101 Campagnola and a Willys MB Jeep up from the valley behind Turin to almost 2500m in altitude, he is now giving his Alfa the spurs. And no wonder it is able to respond, because this fourwheel-drive workhorse shares its mechanical­s with some of the most desirable GTS of the ’50s – which goes some way to explaining its nickname: La Matta, or ‘The mad old woman’.

More correctly (politicall­y or otherwise), it’s an AR51 – AR standing not for Alfa Romeo but

Autovettur­a da Ricognizio­ne or reconnaiss­ance vehicle (scout car in British Army parlance). Commission­ed by the Italian Ministry of Defence, it’s a remarkably capable machine as Melotti ably demonstrat­es by picking his way through the loose rubble, occasional­ly calling on the assistance of a crowbar over larger rocks, then accelerati­ng out of a pit filled with mud and with a near-90º angle of ascent with an alacrity that has to be seen to be believed. A delightful demonstrat­ion of pure off-road competence.

To illustrate its abilities, Alfa Romeo pitched a Matta up a church staircase at the pilgrimage site in Assisi during the new car’s first public appearance. As well as proving that this Alfa could climb, it was a neat reminder of a similar stunt pulled a decade earlier in 1941, when a Willys Jeep scaled the steps of the Capitol Building in Washington in front of the assembled press. This was to kick-start a legendary military career for the Jeep, one that the Alfa Romeo Matta was not able to emulate: between 1952 and ’54 the Italian armed forces only took a little more than 2000 AR51S, while the civilian variant – the AR52 – remained even more exclusive with just 154 cars built, finding use as everything from farm hacks to rugged State Police patrol cars.

Cost played a significan­t part in the Matta’s demise as a realistic propositio­n for the cashstrapp­ed Esercito Italiano, still recovering from the devastatio­n of WW2, and beginning in 1952 the Republic of Italy slowly replaced the Alfa with the much cheaper Fiat Campagnola.

‘The go-anywhere vehicle that doesn’t need a road’ was also much longer-serving than its compatriot, lasting from its launch at the Fiera del Levante show in Bari in 1951 until 1973, when it was succeeded by the 2-litre ‘Nuova’ Campagnola that would soldier on until 1987.

First-series cars were offered in both petrol and diesel forms, each displacing around 1.9 litres and producing between 40bhp and 60bhp depending on tune, and the Campagnola developed a reputation as a long-suffering delivery donkey in both civilian and military use. This 1950s example was originally employed by the Carabinier­i, which shared the military version of the Fiat, and exudes utilitaria­n charm. It was recently rescued from a scrapyard, and its new owner is planning extensive resuscitat­ion measures to rid the Campagnola of its rather dramatic patination, hard evidence of its long years of service in the police force.

Until then, the brave Fiat will continue to toil, its 1901cc overhead-valve engine whistling a bit asthmatica­lly but without complaint as the

‘The original off-roader was born as a workhorse for the US Army, in stark contrast to the cult status it has achieved today’

Campagnola steadily makes its way up the serpentine route to the top of the pass. Unfazed by a flash thundersto­rm at around noon, it splashes stoically on through the resulting deep puddles on the flooded path, plodding up drastic inclines with a cold-blooded resting heart rate. This is its natural terrain, these stony roads up in the mountains having been originally laid out by the Italian military.

By the end of the day, the worn Fiat is ready for a rest in the veteran’s sanatorium. The battered panelwork, the lurching steering, the crooked brakes, the burnished pedals, the cracked paintwork and the worn controls are crying out for care, but this tired soldier glows with a touching dignity. Only late in the evening, on the final kilometres of the autostrada does the Campagnola admit defeat.

Somehow, that uncomplain­ing attitude tells the real story of these three gnarled all-terrain heroes. Every detail of their design reveals the humourless pragmatism of procuremen­t regulation­s. It is about structures that are as robust as possible, that can cope with constant abuse, can be repaired by amateur mechanics out in the field – with a stone, if necessary – and that provide a solution instead of a problem for the soldiers who rely on them in the toughest conditions. The fact that the mushroom-like anti-glare lamp on the front wing of the Matta sits alongside an Alfa Scudetto logo is perhaps a symbolic explanatio­n for the extremely short service life of the Alfa Romeo: too much technology, too much identity, too much emotion for a machine that is all about purpose.

On the other hand, branded jewellery is a completely alien concept to the Willys MB. The American original off-roader was born as a workhorse for the US Army and, in stark contrast to the cult status it has achieved today, was for a long time a forgotten utility vehicle. Designed to take up as little space as possible on the transport ship when stacked on top of each other (hence the folding windscreen, which has absolutely nothing to do with summer driving fun); to be parachuted out of cargo planes; to run, crawl, climb, wade, maybe even swim – and, if in doubt, get by on just one cylinder. Yet to dismiss this pioneering machine as merely a military support act is to do it a disservice, as no lesser a man than General Dwight D Eisenhower said: “The Jeep, the Dakota and the landing craft were the three tools that won the war.”

Designed by American Bantam, the Jeep was mainly built by Willys-overland and Ford – whose GPW is near identical to the MB – before Hotchkiss took over in peacetime with its M201, which carried on into the ’70s. Back in 1940, when the US military laid out its requiremen­ts for a light, all-terrain infantry vehicle, surely no one could have suspected that the barren minimalism of the MB would be the foundation­s of a phenomenon, and its squat, functional features the trademarks of an automotive legend.

Elaboratel­y restored like so many examples are today, this Willys MB has many stories to tell. There was no such thing as ‘standard’ between 1942 and 1945, the Jeep instead being manufactur­ed pragmatica­lly and configured in

‘There is fun to be found in driving any one of this trio, a joy in the rudimentar­y experience that each of them provides’

a variety of ways to suit the tasks that lay ahead for each example. Here, it’s painted in the matt grey of the US Navy and is authentic down to the last detail – only the rifle in the holder below the windscreen is missing, for obvious reasons.

Agile as a goat, faithful as a dog, the Jeep is up to any off-road challenge, but on the long drive back down into the valley Melotti sets a rapid pace in the Alfa. The Fiat takes it easy, but the eager little MB is keen to learn a lesson in drivabilit­y. The 60bhp 2.2-litre ‘Go-devil’ sidevalve ‘four’ feels remarkably energetic, its 105lb ft of torque ensuring that even in hairpins there is no need to trouble the three-speed ’box with a downshift. The steering is indifferen­t, but easy enough to place, and the brakes have no trouble slowing little over a ton of car.

There is fun to be found in driving any of this trio, a joy in the very rudimentar­y experience that each one of them provides. But while the Fiat is the workhorse and the Alfa is the choice of the sophistica­te, this whole genre was invented and remains defined by the original Jeep.

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 ??  ?? Lack of side windows in tilt doesn’t help rearward vision. Right, from top: carefully shaped slats reveal distinctiv­e Alfa shield; well-stocked console part of high specificat­ion
Left to right: even the Alfa has a spartan feel inside; extras mean the Matta is ready for anything; twin-cam engine looks incongruou­s in the engine bay of a 4x4
Lack of side windows in tilt doesn’t help rearward vision. Right, from top: carefully shaped slats reveal distinctiv­e Alfa shield; well-stocked console part of high specificat­ion Left to right: even the Alfa has a spartan feel inside; extras mean the Matta is ready for anything; twin-cam engine looks incongruou­s in the engine bay of a 4x4
 ??  ?? Clockwise from main: tough Jeep is unfazed by slippery conditions on the Alpine pass; bouncy ride, but the Willys is fun to drive; jerrycan and aerial are common additions
Clockwise from main: tough Jeep is unfazed by slippery conditions on the Alpine pass; bouncy ride, but the Willys is fun to drive; jerrycan and aerial are common additions
 ??  ?? Left to right: torquey ‘Go-devil’ sidevalve offers the most punch here; cutaway sides made it easy for GIS to hop in and out; Willys cabin has been superbly restored
Left to right: torquey ‘Go-devil’ sidevalve offers the most punch here; cutaway sides made it easy for GIS to hop in and out; Willys cabin has been superbly restored
 ??  ?? Clockwise from main: careworn Campagnola was discovered in a scrapyard; pushrod ‘four’ made the Fiat more cost-effective; styling is similar to its Italian compatriot
Left to right: anti-glare lamp sits atop the front wing; Fiat is in its element on the mountain; Campagnola’s cabin is minimalist even by the standards of this trio
Clockwise from main: careworn Campagnola was discovered in a scrapyard; pushrod ‘four’ made the Fiat more cost-effective; styling is similar to its Italian compatriot Left to right: anti-glare lamp sits atop the front wing; Fiat is in its element on the mountain; Campagnola’s cabin is minimalist even by the standards of this trio
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