Country Life

Literary stocking fillers

Emily Rhodes suggests eight books that would make the ideal present

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The Penguin Classics Book

Edited by Henry Eliot (Particular Books, £30) This handsome guide to the mighty Penguin Classics list covers every book in the 1,200-strong collection. Each entry is smartly illustrate­d with original cover artwork—ideal for glancing over dearly loved literary companions, as well as for discoverin­g gaps to fill.

Taken as a whole, this is a fascinatin­g survey of how our nation’s literary tastes have altered over the years and makes us wonder anew at what constitute­s a ‘classic’.

Sincerity

Carol Ann Duffy (Picador, £14.99) Many of the poems in this powerful finale to Carol Ann Duffy’s tenure as Poet Laureate engage, fittingly, with the theme of departure. She explores the personal goodbyes of children leaving home and grief for lost parents, as well as the political tussle of Brexit.

This is a moving and compelling collection from a poet at the height of her powers.

The Christmas Card Crime and other stories

Edited by Martin Edwards (British Library, £8.99) The latest ‘seasonal assortment box’ of winter mysteries from the British Library’s very collectabl­e ‘Crime Classics’ series features a diverse range of detective stories from writers both famous and overlooked.

Perhaps it’s the pleasure of working towards their inevitable resolution that makes them so appealing at this time of year, when we tend to reflect on life and struggle to solve our own problems, or perhaps it’s the welcome inspiratio­n from a range of murder methods when we’re cooped up with our families for too long. Whatever our psychologi­cal motivation, these thoroughly chilling and thrilling stories are perfect for wintry fireside evenings.

The Snooty Bookshop: Fifty Literary Postcards

Tom Gauld (Canongate, £12.99) Collated from Tom Gauld’s popular Guardian series, these postcards brim with his offbeat geeky humour. There are laughs here aplenty: at our own reading habits, such as the number of our books we pretend to have read or packing far, far too many books for a holiday; at the industry’s hypocrisie­s—producing poetry anthologie­s ‘for people who don’t like poems’ and critics sneering at genre fiction, for example; as well as at the classics themselves. Pure manna for book nerds.

Rice’s Language of Buildings

Matthew Rice (Bloomsbury, £20) Most of us are sufficient­ly fluent in the English language, but Matthew Rice seeks to educate us in the language of buildings so that we can better describe and understand architectu­re, ‘the backdrop to our lives’. Leafing through his beautifull­y illustrate­d, accessible and illuminati­ng reference book is a delight that will also help us never again to muddle our plinths, pediments and pilasters.

Jeeves and the King of Clubs

Ben Schott (Hutchinson, £16.99)

Ben Schott, of Schott’s Original

Miscellany fame, has written his debut novel as a glorious homage to P. G. Wodehouse, in which Jeeves is revealed to be a British Intelligen­ce agent and Wooster gets caught up in a comically convoluted plot. Wodehouse aficionado­s will no doubt squabble over whether or not it lives up to the original joyful creations, but the novel comes endorsed by the Wodehouse Estate and is undeniably an impressive, hugely enjoyable feat of ventriloqu­ism.

Faber & Faber Poetry Diary 2019

(Faber & Faber, £12.99) This smart diary is designed with the week laid out on each recto and a poem or cover design on each verso: a welcome balm and inspiratio­n for creative souls who like to plan on paper. The diverse selection for 2019 includes verse from Christophe­r Reid, Charlotte Mew, Sylvia Plath and Philip Larkin, among many others.

Sir Gawain and the Green Knight

Simon Armitage, with illustrati­ons by Clive Hicks-jenkins (Faber & Faber, £14.99) First told in the late 14th century and enduringly mysterious, exciting and beloved, this is the story of young Gawain, the only knight foolhardy enough to take on the challenge issued by the Green Knight when he arrives at Camelot one Christmas. Simon Armitage’s skilful rendition of this tale (his work was partly sparked by his wife’s dog-eared copy falling open at the word ‘wodwo’) is accompanie­d by reproducti­ons of Clive HicksJenki­ns’s rich and striking screen prints in this irresistib­le edition of the ultimate Christmas poem.

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