Bathing beauty
Joanna Wood’s bathroom, Kit Kemp’s carpets and the top canapé party
The layout
To create this space, we combined what had been a walk-in cupboard and a poky bathroom. We worked with Oxfordshire-based Johnston Cave Associates (01865 865165; www. johnstoncave.com), a practice with a huge knowledge of period houses, to create a spacious triple-aspect room. I positioned the bath to benefit from the view.
Choosing a bath
One of my tips when buying a new bath is never to do it without actually climbing in first as most people make the mistake of buying one that’s too big. This double-ended Fired Earth model is a particular favourite because it’s splayed out from the bottom, which means my rugby-playing husband can fit in, too (0845 366 0400; www.firedearth.com/bathrooms).
As ever, with freestanding baths, it’s important to position a shelf at the right height for a cup of tea or a glass of Champagne—plus bath oils and books.
The floor
The design in this scheme is what I call a ‘marble carpet’: the main section is covered in six large blocks of bookmatched Calacatta Verde marble, which then has a border of antiqued solid-oak floorboards by Chaunceys in Bristol (0117–971 3131; http:// chauncey.co.uk). As a rule, I always suggest marble for bathrooms. In the past, clients have been concerned that it might be cold, but underfloor heating has put an end to that, making it wonderfully warm in the winter and gorgeously cool in the summer.
Walls
I’ve just specified this wallpaper for the American Ambassador’s residence in London—it’s a very versatile pattern by Lewis & Wood (of which I’m the Wood) called Indienne Tint
Wisteria and was designed by the very talented Magdalen Jebb. It manages to be quiet and calm, but bright and characterful at the same time. The predominant colour is greige— not grey, which is gloomy, but not beige either (020–7751 4554; www. lewisandwood.co.uk).
I’m a great believer in putting a favourite work of art in the bathroom so that you can lie in the bath and admire it.
Lighting
In a period country house, it’s important not to have a lighting scheme that’s too modern—even in the bathroom. The two wall brackets by Philips & Wood (020–8222 8117; www. phillipsandwood.co.uk) have been adapted for use in bathrooms and there’s a small table lamp by Vaughan (www.vaughandesigns.com; 020– 7349 4600) at the dressing table.
Clothes storage
I love to combine a bathroom with a dressing room, as it means I can be cleaning my teeth and thinking about what jumper to wear at the same time. People get concerned about clothes getting damp, but now that building regulations dictate that bathrooms must be well ventilated, that’s no longer a problem.
For this project, I commissioned the Wiltshire joinery company Archer & Smith to construct two sections of built-in wardrobes with a mirror in between (www.archersmith.co.uk; 01793 740375). The woodwork is stippled and dragged in pale ivory, with highlights in blue (it’s a technique I like that’s very much coming back into fashion). Hardly anyone knows how to do stripple and drag these days—i used a local firm called Colchester Lister Associates (01453 544846).
To further introduce a classic country feel, I’ve used gathered fabric behind small-gauge chicken wire on the doors. It’s a technique that was a favourite of John Fowler’s and is so much prettier than solid doors.
Furniture
Where space allows, I love furnishing a bathroom with a comfy chair or a chaise longue. In my bathroom, I have a pair of antique chairs covered in a stripe. At the dressing table—positioned by the window to take advantage of the natural light—i have a threepanelled mirror.
Curtain treatments
I like simple window treatments and, in this case, they help to maintain the peaceful nature of the bathroom. A Scottish Holland roller blind— a type of stiffened linen that the Victorians used to diffuse light and protect fabric—is a good solution.
Joanna Wood (020–7730 5064; www. joannawood.co.uk)