Country Life

Town & Country

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LAST month, after a seven-year fight and despite heavy opposition, planning permission was granted to Honister Slate Mine for a 1km-long (two-thirds of a mile) zip wire to be installed on a remote mountain pass between Borrowdale and Buttermere in the Lake District (above). Some fear this sets a ‘dangerous precedent’ for similar projects all over the country and, now, the CPRE is urging the Government to review the decision.

‘Activities that introduce such noise, speed and intrusive developmen­t are at odds with the character and true value of the national park,’ comments Tom Fyans, director of policy at the CPRE. Also in opposition are the Cumbria Wildlife Trust, The Wainwright Society and the Open Spaces Society.

‘Even if the proposal could be considered to fulfil the requiremen­t for conservati­on and enhancemen­t of cultural heritage, this cannot be at the expense of the conservati­on and enhancemen­t of natural beauty,’ comments a Friends of the Lake District spokespers­on.

However, the former vice-president of the Friends group, mountainee­r Sir Chris Bonington, who resigned over the opposition to the scheme, is in favour, saying that ‘it will be below the skyline and will encourage the public to enjoy the beauty of the lakes’.

The Lake District National Park Authority’s developmen­t committee has reasoned that the landscape is already industrial­ised because of the Honister Slate Mine (the last working slate mine in England) and that, as well as giving up to 57 people a day a thrill, the Aerial Flight zip line will be used to carry slate down to workshops from the mountainsi­de and provide jobs. In any case, walkers ‘wouldn’t necessaril­y be looking for tranquilli­ty in a mine’, adds committee member Bill Jefferson. After a letter from a National Portrait Gallery curator was published in

COUNTRY LIFE (September 30, 2015), the owners of Margaret Gainsborou­gh, The Artist’s Daughter, Playing a Cittern got in touch. The painting’s whereabout­s had been unknown for more than 130 years; it’s now in the ‘Gainsborou­gh’s Family Album’ exhibition (until February 3, 2019). Visit www.countrylif­e.co.uk

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