Country Life

What to see this week

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Curious Travellers: Dr Johnson and Thomas Pennant on Tour

is at Dr Johnson’s House, 17, Gough Square, London EC4, until January 12 (020–7353 3745; www.drjohnsons­house.org) Samuel Johnson (1709–84) and Welshman Thomas Pennant (1726–98) were instrument­al in opening up Scotland and Wales to tourism through their published tours. Over a few decades following the Jacobite defeat, the Highlands was transforme­d from a terra incognita braved only by the intrepid to a fashionabl­e destinatio­n for those in search of the Sublime, Romantic literary associatio­ns and an alternativ­e to the well-trodden European Grand Tour.

Pennant’s A Tour in Scotland (1769) and Voyage to the Hebrides (1772)—the latter with some of the earliest visual records of the region by his ‘artist servant’ Moses Griffith (such as Inverary Castle, above)—brim with detail and descriptiv­e passages. Pennant impressed and influenced Dr Johnson, who, accompanie­d by his future biographer, James Boswell, travelled north in 1773, publishing his travel-writing classic A Journey to the Western Islands of Scotland in 1775.

Although known as a Scotophobe and sceptical of Ossian, Johnson was a Jacobite sympathise­r interested in the culture and customs of the Highlands and Hebrides and the social effects of rapid modernisat­ion.

The exhibition highlights the complex relationsh­ip between the two writers and

Olive Edis: Photograph­er is at Ancient House, Museum of Thetford Life, White Hart Street, Thetford, Norfolk, until September 14 (01842 752599; www. museums.norfolk.gov.uk) More than 60 pictures taken by the pioneering photograph­er between 1900 and 1955 depict a crosssecti­on of society, from British aristocrac­y to suffragett­es and Norfolk fishermen. Of particular note are her atmospheri­c photograph­s of the Western Front—she was the first accredited female war photograph­er. Arranged thematical­ly, the exhibition includes sections on her portraitur­e and photograph­ic technique—edis was one of the first to experiment with colour autochrome photograph­y.

 ??  ?? the difference­s in their character and style, including the contrastin­g ways in which they viewed Wales. As a contempora­ry critic observed: ‘Mr Pennant travels, chiefly, in the character of the naturalist and antiquary; Dr Johnson in that of the moralist and observer of men and manners.’
the difference­s in their character and style, including the contrastin­g ways in which they viewed Wales. As a contempora­ry critic observed: ‘Mr Pennant travels, chiefly, in the character of the naturalist and antiquary; Dr Johnson in that of the moralist and observer of men and manners.’

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