Country Life

The hills are alive

Fiona Reynolds strides out on the ancient Malvern Hills

- Fiona Reynolds

WITH Elgar’s Serenade for Strings soaring through my headphones, my heart throbbing with emotion and effort, I climb the steep approach to the Worcesters­hire Beacon. It’s the highest point of the Malvern Hills and it’s blowing a gale. It’s been a gloomy, chilly morning, but suddenly there’s blue sky against the trig point and my black lab Ruskin (a puppy no longer) bounds to the top and poses.

I love hills and, having been deprived of summits through lockdown, I pick those nearest to me and set off for an end-to-end walk of the Malvern Hills. In fact, it’s end to end to end, because, walking alone, I have to do both ways. The makes me cheat slightly and I start from Hollybush, not quite at the southern end, then go to North End and back.

This is an ancient landscape. The hills are volcanic and form a sharp, distinctiv­e feature. Small wonder that, from earliest times, they have been strategica­lly important. Shire Ditch, a Bronze Age earthwork, runs the length of the hills and British Camp is an extraordin­ary Iron Age hill fort, its rows of concentric ditches like a giant wedding cake.

The area was from medieval times a Royal Forest, protected from enclosure, and, in 1884, Parliament establishe­d the Malvern Hill Conservato­rs. Today, it’s an AONB and still looked after by the (renamed) Malvern Hills Trust. There is evidence of active conservati­on work: a small herd of melting-eyed Highland and Belted Galloway cattle; new fencing to manage grazing and much work to keep the footpaths in order. This is necessary, for the hills are popular. There are lots of people out and I’m greeted by cheery hellos (many, I must admit, for Ruskin) along my route.

The first stretch, to the British Camp car park, is the quietest. I walk around Midsummer Hill and up to the camp, striking up from the Three Choirs Way. North of British Camp, I keep to the west side of the hills, swinging along as I watch people pull up to the summits: Black, Pinnacle, Jubilee and

Perseveran­ce Hills. Then down again and up Worcesters­hire Beacon, now on the ridgeline and with Elgar to accompany me. In bright sunshine and strong wind, it’s exhilarati­ng to look down on the roofs of Great Malvern.

North of Worcesters­hire Beacon is a green maze of gentle mounds around North Hill, through which I pass to reach End Hill and the precipitou­s slope above North Malvern. We’ve done nine miles, so we stop for a breather and to drink in the sublime view.

On the return leg, I try to avoid treading the same paths and mostly succeed, so rich in routes is this landscape. I stick to the ridge and I’m glad, because the views are spectacula­r. Soon after Black Hill, I detour to St Wulstan’s Catholic Church. I adore Elgar’s music, so it’s moving to see the place where he’s buried, in the countrysid­e he loved, together with his wife, Alice.

I take the low road for a while, via Little Malvern’s lovely priory and back over Swinyard Hill and Midsummer Fort. After 18 miles, Ruskin and I are a little weary, but fortified by hills, music and great walking.

Returning, I try to avoid treading the same paths and succeed

Fiona Reynolds is Master of Emmanuel College, Cambridge, and author of ‘The

Fight for Beauty’ @fionacreyn­olds

 ??  ?? Inspiring composers and artists for thousands of years: the ridge of the Malvern Hills
Inspiring composers and artists for thousands of years: the ridge of the Malvern Hills
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