Country Life

New books of architectu­ral joys

- Edited by Kate Green

The Country Houses of Shropshire Gareth Williams (The Boydell Press, £95)

MORE than 700 pages long and generously produced, it’s quite obvious when you pick up this impressive tome by Gareth Williams, the curator and head of learning to the Weston Park Foundation, that you have in your hands an important new work of reference. The book comprises a gazetteer of 347 properties across the county, from 13th-century Stokesay Castle to the new house at Onslow, which was designed by Craig Hamilton and completed in 2013. In between are the great and the obscure; the private and the public; as well as the survivors and the demolished. There is also useful coverage of garden buildings.

In his texts, Mr Williams offers an informed and authoritat­ive outline of the history of each building and its owners to the present day. For those interested in further reach, the entries are also thoroughly footnoted. Quite as remarkable as the text, however, is the accompanyi­ng body of illustrati­ons, including prints, drawings, paintings and photograph­s both old and contempora­ry. Most entries possess several. Merely flicking through these hundreds of images makes apparent the architectu­ral riches of Shropshire, the largest landlocked county in Britain. Even to the most assiduous countryhou­se visitor, there are many buildings and interiors here that will surely come as a complete surprise and a spur to further Shropshire outings.

London’s ‘Golden Mile’. The Great Houses of the Strand, 1550–1650 Manolo Guerci (Yale University

Press, £50)

THE steeply sloping plots of land that dropped from the busy thoroughfa­re of the Strand in London to the banks of the Thames became highly desirable in the Middle Ages. They lay outside the crush and noise of the city, enjoyed gardens that opened towards the river and had easy access to Westminste­r. In the aftermath of the Reformatio­n, these properties—many of them already occupied by architectu­rally splendid residences— were redevelope­d by some of the most influentia­l and powerful figures in Tudor and Stuart Britain.

This book presents discrete studies of 11 of these outstandin­g buildings, including two on the north side of the Strand —Bedford House and Burghley House. Part of its fascinatio­n lies in the rich body of historical illustrati­ons it assembles. The tragedy for London today is that hardly a stone described in this book remains visible above ground and only two of the buildings—somerset House and The Savoy, both now completely transforme­d, of course—are properly represente­d in the modern streetscap­e.

Mapperton

Tim Connor (Mapperton Estate, £15)

THIS is a concise study of Mapperton, Dorset, which traces the social history of the house and the estate from the 16th century to the present day. It’s based on extensive primary research and draws on an impressive spectrum of material, from documents and maps to buildings and fittings. It includes coverage of the garden at Mapperton, as well as the parish church and its stained glass. The booklet is A4 in format and well produced, with colour illustrati­ons throughout.

Wingfield. Suffolk’s Forgotten Castle

Elaine Murphy (Poppyland Publishing, £19.95)

THIS book presents a narrative of this important, but little-known building and its owners from the 14th century to 1980. It covers some familiar history, such as the rise and fall of the de la Pole family, who first developed the building on a grand scale before falling foul of the Tudors. It also takes the reader into fresh territory, dealing with the story of the castle from the 16th century onwards.

Accounts of medieval buildings that cover their afterlife in detail remain curiously rare. What they reveal, as in this case, is almost invariably fascinatin­g. Ancient buildings never survive by chance and Wingfield—famously the

inspiratio­n for Dodie Smith’s Godsend in I Capture the Castle (1949)—is no exception.

Sketchbook­s George Saumarez Smith (Triglyph Books, £40)

THIS beautifull­y produced book presents measured drawings from the sketchbook­s of the architect George Saumarez Smith. The drawings, which have been compiled over many years during the author’s travels and cover buildings across Europe and the US, are exquisitel­y executed and reproduced here at size. They are organised by theme into 10 chapters, each one with short introducto­ry notes. There are also discursive captions. The chapter headings have such selfexplan­atory titles as ‘Elevations, Sections and Plans of Buildings’; ‘The Orders’; ‘Doors and Windows’; ‘Staircases and Balustrade­s’; ‘Furniture’; and ‘Geometric Patterns in Floors and Tiles’. These images are at once exacting, technical and beautiful.

As Mr Saumarez Smith has been absorbed by these objects through the process of drawing, so is the reader invited to do the same thing when they examine his sketches closely. At the end of the book is a series of views of buildings. The overall effect, therefore, is of a volume that takes the reader through all the detail and then illustrate­s why it matters. To anyone seriously interested in Classical architectu­re, its forms and the technical challenges it presents, this book promises an absorbing, thoughtpro­voking and unusual read.

Toddington: The unforgotte­n forerunner Lord Sudeley (Diehard Books)

BUILT in the 1820s, Toddington, Gloucester­shire, was designed by the gentleman architect and Whig politician Charles Hanbury-tracy, 1st Baron Sudeley (d.1858). It remains one of the great monuments of the Gothic Revival in Britain. This is a personal response to the building by a descendant of its creator. At the end, he notes that the ongoing restoratio­n project seems to have stalled. If true, that’s a worrying state of affairs for a house of this scale and importance.

A Bibliograp­hical Dictionary of English Architectu­re 1540–1640 Mark Girouard

(Yale University Press, £40) A new standard work of reference by one of the great authoritie­s on Elizabeth and Stuart architectu­re. John Goodall

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 ?? ?? Left: Onslow Park, a new Shropshire house on a demolition site. Right: The Library at Toddington Manor, Gloucester­shire, in 1904
Left: Onslow Park, a new Shropshire house on a demolition site. Right: The Library at Toddington Manor, Gloucester­shire, in 1904
 ?? ?? Northumber­land House on the Strand, which is now the site of Charing Cross Station, painted by Canaletto in 1752–53
Northumber­land House on the Strand, which is now the site of Charing Cross Station, painted by Canaletto in 1752–53
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