Daily Mail

Hero? No, Hugh Hefner’s legacy is utterly toxic for all women

As celebritie­s fawn over soft-porn king who’s died at 91, SARAH VINE argues ...

- by Sarah Vine

THE way the tributes have been pouring in from assorted celebritie­s, you’d think he was some kind of saint. But then, the death of Hugh Hefner, founder of Playboy magazine and America’s Swinger-in-Chief, was always going to symbolise the end of an era.

As the man who, in the very first issue of his magazine in 1953, gave a world a sensationa­lly starkers marilyn monroe, he fed the fantasies of every young man growing up in the pre-internet age.

And although, by the end of his life, Playboy had long ceased to be the market leader in ‘entertainm­ent for men’, he remained (with a certain amount of pharmaceut­ical assistance) a voracious lover of women.

He was an icon of post- war American liberalism, the man who turned titillatio­n into a multi-milliondol­lar empire, who harnessed the spirit of free love and social revolution — and slapped a pair of bunny ears on it.

Hefner always rejected the notion that the adult lifestyle he sold, this world of wild parties, glamorous women and seemingly insatiable desires, was in any way sleazy or exploitati­ve.

‘Liberating’ and ‘empowering’ were the terms he preferred to use in reference to his famous coterie of cover stars and girlfriend­s.

Sexual freedom was the name of the game, and any suggestion of his narrow interpreta­tion of those freedoms — scantily clad females pouting and preening for men’s pleasure — was dismissed as humourless feminist dogma.

Of course, there is no denying that he facilitate­d the careers of many young women who might otherwise not have become quite so rich and famous.

‘One of the nicest men I’ve ever known,’ wrote Nancy Sinatra on her Twitter feed (she stripped off for the magazine aged 54!).

‘I am me because of you,’ said a tearful Pamela Anderson. ‘ You taught me everything important about freedom and respect.’

‘RIP Hugh Hefner,’ wrote Katie Price on her Instagram, alongside a picture of the pair of them up close, her over-inflated assets exciting the hairs inside his signature opennecked shirt.

KIM KARDASHIAN joined in, too: ‘ RIP to the legendary Hugh Hefner!’ she wrote, adding: ‘I’m so honoured to have been a part of the Playboy team! You will be greatly missed! Love you Hef!’

It is only natural for these women — and the many more identikit bimbettes he nurtured, bedded and variously encouraged — to feel indebted to him. Because of the world Hefner helped create, they have a global audience, undeserved wealth — and a reach that far exceeds the extent of their talents.

Even that would not be so bad were Hefner’s influence limited to the sphere of sleaze.

The problem is that it extends well beyond, past the tacky gold taps of the Playboy mansion and the stained dressing gowns, and into the wider world.

For the rest of womankind, for those of us unwilling to inject our bodies with silicone, or ill-equipped for posing in a thong, or simply reluctant to lead a life as a perpetual courtesan, Hefner’s legacy is one of the most toxic in human history.

No man ever did more than Hugh Hefner to popularise the sexual exploitati­on of women.

He paved the way for the ‘pornificat­ion’ of day-to-day society and for the widespread notion — in itself depressing enough, but in recent years rendered even more dangerous by the rise of extreme Islam — that all Western women and young girls are promiscuou­s moral degenerate­s, neither deserving nor desirous of respect.

It’s a path that leads all the way to online porn via explicitly sexual pop stars such as miley Cyrus and madonna, with their penchant for ‘twerking’ and every other act of graceless vulgarity that diminishes society today.

Thanks to Hefner and his army of acolytes, the aesthetics and morals of the Playboy mansion have come to permeate every aspect of our culture, from pop videos to fashion, from TV screens to art galleries.

Quite simply, he did for sex and human relationsh­ips what Andy Warhol did to art: reduced it to the lowest common denominato­r, and dragged everyone else down with him.

Hefner was a very clever man. He was the first person to spot the commercial advantages of the postwar sexual revolution, to capitalise on those new-found moral freedoms and to turn women’s liberation and their justifiabl­e desire for equality against them, exploiting their sexual emancipati­on for his own gains.

He knew that if he dressed up ageold vice in the latest fashions — feminism, intellectu­al rebellion, liberalism, a sneering disdain for conservati­ve morality — people would lap it up. And they did.

Playboy, with its high production values and witty, debonair advertisin­g, accompanie­d by Hefner’s seemingly magical ability to get classy women to take off their clothes, quickly establishe­d an identity as the thinking man’s smut.

Gradually, deliberate­ly, and spectacula­rly, Hefner intellectu­alised and legitimise­d pornograph­y.

He succeeded in seducing his readership into thinking that what they were doing was not so much looking at dirty pictures, rather joining an exclusive and rather witty club.

‘I only buy Playboy for the articles,’ became the in-joke in liberal circles. And perhaps some people really did — after all, the writing was good. But most bought it for the women.

And what women. He practicall­y had them queuing up to pose for him. It was the perfect way to signal how modern and liberated you were to open yourself up to his photograph­ers.

Charlize Theron, Kim Basinger, Sharon Stone, Raquel Welch, Elle macpherson, Cindy Crawford, drew Barrymore, even dame Joan Collins (at the time 50): all have graced the

cover and centrefold of Playboy. There weren’t marginal starlets, these were serious mainstream women, household names. They were well paid, of course. But Hefner exacted his price, too, growing rich by selling his magazine in its millions every month.

And as Hefner’s empire expanded, as more and more celebritie­s attended his parties and endorsed his libertaria­n lifestyle, the notion that all women — not just the pneumatic blondes favoured by Hefner — not only enjoyed pornograph­y, but liked to take part in it, took hold.

CRUCIALLY, where once it had been acceptable for a young woman to resist casual sex, saying no now marked you out as an impossible prude and bore.

if you weren’t ‘up for it’, there was a distinct sense that there was something wrong with you. Frigid, perhaps. certainly not modern or glamorous like those glossy centrefold­s.

So much for liberation: this was more of a tyranny.

The result is that people today are as much enslaved by our culture’s emphasis on sex as their great-grandparen­ts were by the strict moral parameters of their day.

i am sure that, as a friend, Hefner was indeed ‘kind and thoughtful’, as his famous chums suggested yesterday. And maybe he did undertake many admirable philanthro­pical enterprise­s, for which he deserves due credit.

But, ultimately, there is no escaping the fact that the world he helped create is not a happy one or a kind one, or even a better one.

it’s not just the endless stories of unhappy Playboy Bunnies, of the drugs and mental-health issues, of the controllin­g behaviour and the squalor that, over the years, have emerged from behind the glamorous facade of the Playboy Mansion.

it’s the fact that we live in a world where young women are willing to film themselves performing sex acts on their boyfriends, in the style of Kim Kardashian, in the hope of achieving fame and fortune.

A world where being old or ugly or fat or just a bit shy is a distinct disadvanta­ge, where the way you look in a sequin-encrusted thong is more important to many than family, friendship or, dare i say it, faith.

it’s a world where women have plastic surgery on their vaginas live on breakfast television, for goodness’ sake. That is not a liberation; it’s a kind of madness.

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 ??  ?? Sensationa­l: Hefner and his models in a Playboy centrefold and (above) Marilyn Monroe on the first issue in 1953
Sensationa­l: Hefner and his models in a Playboy centrefold and (above) Marilyn Monroe on the first issue in 1953

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