Daily Mail

Why today’s youngsters are as ignorant about real intimacy as their oh-so innocent grandparen­ts

- by Libby Purves

OuR sex- savvy younger generation would almost certainly be scornful about the couple at the heart of On Chesil Beach, Ian McEwan’s best- selling novel newly released as a film.

It’s 1962 and Florence (played by Saoirse Ronan) and Edward (Billy Howle) are 22 and on their honeymoon. The book’s opening sentence sums it up: ‘They were young, educated, and both virgins on this, their wedding night, and they lived in a time when conversati­on about sexual difficulti­es was plainly impossible.’

unfortunat­ely for the fastidious Florence, her only preparatio­n for initiation into the mysteries of sex and physical pleasure is to read biology books, which repel her. Edward just yearns for their wedding night. Predictabl­y, it is a disaster, from the first kiss that disgusts Florence to his ultimate failure to perform. Their subsequent quarrel leads to annulment of the marriage, and a less fulfilled life for both.

So you could draw a complacent moral, saying how grand it is that modern children are taught sexual mechanics at school, including some practices their parents certainly never learned from teachers.

Their first experience­s of sex almost certainly won’t happen on their wedding night or even with someone they seriously love, but with some spotty classmate who will soon be written off as an embarrassi­ng mistake.

Moreover, they’ll have witnessed scenes in TV and films which leave little to the imaginatio­n. They read scorching accounts of earth-moving sex in chick-lit novels. Not to mention the all too easily found internet porn. would provide the real peak of sexual experience.’

According to a recent survey from researcher­s at the Department for Education and university College London, an eighth of young people stay virgins until 26 and speak of the pressure of expectatio­n and the fear of ‘failing at sex’.

Of course, girls have long been exposed to unrealisti­c ideas of their first sexual experience thanks to romantic fiction — from Barbara Cartland’s maidens ‘ carried to heavenly bliss on wings of love’ to Jilly Cooper’s improbable, jodphur-ripping and never-disappoint­ing encounters.

As for the boys, in previous generation­s they weren’t served much better. In my early teens, because my dad worked at the British Embassy in Berne, Switzerlan­d, I used to help mind the British Council library, which was full of mouldering old classic novels and poetry anthologie­s.

But it had a small, shameful shelf full of pulp fiction donated by the security men. So I read a lot of Harold Robbins’ racy novels aimed at men, and got the general impression that a chap had to make a million dollars, and probably kill someone, before he could successful­ly Do It.

Of course the joke is that if I had really wanted to know about sex, I might have done a lot better with those classic novels and poems which explore the emotional landscape of love. McEwan is spot on when he says ‘we need to consider the relationsh­ip between sexual experience and emotional bonding . . . it’s such a powerful thing, and I think especially young men are being fed a purely pornograph­ic notion of what it is to love someone.’

Sex — sharing your naked body with someone else — is for human beings a bonding thing. It has a powerful tendency to become something more than mere coupling, sometimes disastrous­ly and obsessivel­y so, sometimes forging a lifetime’s partnershi­p.

Of course turning virginity into a bargaining chip, and trading on the disgusting idea that a girl was ‘ruined’ if she lost it, was always wrong. I remember those attitudes well, and good riddance to them.

But as McEwan says, the pendulum has swung too far the other way now, and there is a breezy, insincere pretence around that sex is just another healthy and necessary athletic recreation, meaning nothing.

And worse, that it is a kind of duty for girls to be ‘ hot’, and desirable at all times, cheerfully ‘up for it’ and as keen to learn new tricks as any circus artiste.

That doesn’t make for happiness, any more than the Chesil Beach prudery, fear and ignorance. I am not a bit surprised if 12 per cent of young people now rebel against the idea of early sex for the sake of it, and stick to friendship and the odd cuddle until their mid-20s.

The alternativ­e can be seriously depressing: some use unsatisfac­tory, untrusting sex just to fend off loneliness and low self-worth, or (in the case of young men especially) to rack up notches on the bedpost and prove yourself a powerful stud.

Like many, I was fascinated by the recent short story Cat Person, which went viral online and caused a furore.

Loosely based on a real encounter, the heroine of the story is chatted up by an older man and goes home with him, though she is already going off him. She succumbs to sex without desire, feeling she has to go ahead because it is expected. Her only consolatio­n is vanity. She sees herself reflected in his eyes as pretty, and enjoys imagining how desperate he is for her.

Then she ‘ ghosts’ him — cuts off all communicat­ion — and he is offended, and finally texts her a single word: ‘Whore!’

That story struck a chord with a lot of young women. There was an honesty about the writing, a portrait of a sexually liberated yet dreadfully muddled generation, struggling to persuade itself that the ultimate physical intimacy can be just a lark. A hobby, at worst a daft mistake, something that doesn’t matter.

ANYONE growing up needs to know the other side: the power of murmurs, closeness, utter trust, surrender on both sides, a connection through the skin as powerful as that of mother and newborn baby.

The trouble is, I cannot imagine many PSHE (personal and social health education) teachers in schools expressing all that in a class full of gigglers.

Frankly, the English literature teacher will do a better job, with all the passionate novels and great poems to feed on: what is more erotic, more impassione­d than John Donne four centuries ago — ‘Licence my roving hands, and let them go, Before, behind, between, above, below — O my America! my new-found-land, My kingdom, safeliest when with one man mann’d! My Mine of precious stones, My Empirie, How blest am I in this discoverin­g thee!’

There’s just one point where Mr McEwan and I diverge. He says: ‘ Comedy is the great undoing of the erotic. If you have sex with someone and they start laughing, it’s all over.’ Hmmm. I’d say that if you can laugh together about it, then there really is a bond of trust . . .

 ?? Picture: LMKMEDIA ?? Innocence isn’t bliss: Saoirse Ronan and Billy Howle in On Chesil Beach
Picture: LMKMEDIA Innocence isn’t bliss: Saoirse Ronan and Billy Howle in On Chesil Beach

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