Daily Mail

A house so full of music that even the doorbell plays its part

- CHRISTOPHE­R STEVENS

THE problem with getting everything delivered via online shopping is that the doorbell always goes at the most inconvenie­nt moments — when you’re halfway through shaving, or down the end of the garden.

Teenage concert pianist Jeneba Kanneh-Mason was losing herself in the opening bars of Chopin’s Etude in E Major, on This House Is Full Of Music (BBC1), when a chime came from the front door.

The 17- year- old’s despairing smile said it all. She leapt from the stool, seized a parcel from the importunat­e Amazon employee and returned to the piano in a more turbulent mood.

Chopin said he could never write a more gorgeous melody than this one. It is sometimes called the ‘ tristesse’, meaning ‘sadness’, and this time Jeneba began to play as though her heart was breaking. The middle section erupted into a furious cascade of notes, full of frustrated anger, before settling down into grief.

All the emotions of lockdown poured out in three minutes. Even the doorbell played its part.

Jeneba, a finalist in 2019’s Young Musician Of The Year competitio­n, is a truly extraordin­ary instrument­alist, but what’s more astonishin­g is that she’s one of seven siblings, all exceptiona­lly talented. One of her brothers, cellist Sheku, became famous in an afternoon when he played at a royal wedding, but judging from this hour-long home recital, every one of them is a phenomenon. Aminata, 14, says that music is as natural to them as breathing. It’s almost as constant too — they all practice for nine hours a day.

That presents problems with all of them living at the family home during the coronaviru­s restrictio­ns. They take it in turns on the pianos, and practise violins and cellos in every other room . . . even the loo.

Getting teenagers out of the bathroom is hard enough, even when they’re not working on a tricky passage from Shostakovi­ch.

The sheer variety of music they chose for this documentar­y, presented by Alan Yentob, was boggling. Sheku and a family friend, Plinio, played an arrangemen­t of the folk song Scarboroug­h Fair on guitar and cello in the garden with the foxgloves dancing.

Then all the family joined in an African-American spiritual, full of lush harmonies like a Hollywood orchestra in the Fifties. And when the neighbours went outside to clap for the NHS, they kicked up a lively klezmer tune on clarinet and accordion.

Their mother was born in Sierra Leone, their father’s family comes from Antigua, the younger girls go to a Catholic school in Nottingham and they all love Jewish dance music. Fabulous! In a society where divisions are being exacerbate­d by sour protests, what a joyful sunburst of hope this family is. They embody everything that is best about Britain today.

This is a programme I know I shall watch again and again.

Family talent was also on display as The Voice Kids (ITV) returned, with Will.i.am and his fellow judges looking for the best singing schoolchil­dren. Twins Betsy and Nancy won applause for their raucous enthusiasm as they squawked through Bring Me Sunshine. But their big sister Connie proved a showstoppe­r when she let rip with a West End musical number, blasting it out like Ethel Merman.

Though the judges aren’t supposed to know who is singing till they turn their chairs around, a suspicion lingers that much of the show is scripted. When invited to pick a coach, the children always hesitate, milking the tension like pros, even if they’re only seven years old.

But if it’s stage-managed, does that matter? This is still solid family entertainm­ent.

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