Daily Mail

HOW I WAS CANCELLED BY THE BBC I ADORE

- By JENNI MURRAY

For 33 years, DAME JENNI MURRAY was a broadcasti­ng legend and glorious champion of women’s equality. Now, as she steps aside, she is free to reveal the furious off-air battles she faced for daring to challenge Auntie’s views – and, oh the irony – the VERY unequal pay she received

FOR 33 years of almost constant delight, it has been the same routine: arriving at Broadcasti­ng House, meeting that day’s producer, exchanging ideas and a little gossip, reading the newspapers, writing a script, preparing interviews and hearing cheery greetings from the other members of the small production team as they drifted in.

Just before 10am we would make our way to the studio, then pop out to the Green Room to welcome the guests who would soon be brought along to join me at the microphone.

Back to the studio, headphones on, that familiar ‘And now Woman’s Hour, with Jenni Murray’ and we were off.

The guests might be a Cabinet minister, a gardener, a chef, a famous author, a film star ( most memorably Bette Davis, Lauren Bacall, Kirk Douglas and Tom Hanks), a disabled actor, a poet, a

I was banned from covering the 2019 election

musician, a grieving widow, an anxious parent, an obstetrici­an, a lawyer, a professor. The range of topics to be tackled was endlessly diverse and fascinatin­g and they sat there in front of me, ready to be questioned, challenged, encouraged to tell their stories.

I could see their faces, their body language and read their personalit­ies, as they could see and read mine. It was real. Now, for me, it’s over. My last programme on Thursday was a sad event as I thanked the audience for being such a loyal part of the Woman’s Hour family. I explained that I’d always had to remember that no one stereotype fitted the definition of woman — there were many, many different types in our gender who had to be served but we did all share one thing: our sex.

My guests were four of my contempora­ries — Baroness Helena Kennedy, QC; Harriet Harman MP, now Mother of the House; Jude Kelly, founder of the WOW Foundation; and Jackie Kay, the National Poet of Scotland.

We looked back at the three decades during which Woman’s Hour had brought so many inequaliti­es to the attention of the millions of women who had listened.

There was the fight for women’s ordination, the battle for equal marriage, the rise of the ‘house husband’ (in which I had a degree of personal influence), domestic violence and the judges who had displayed rather more empathy with the perpetrato­rs than with the victims, often suggesting that women had asked to be beaten or raped.

Lady Kennedy remembered our discussion about marital rape and being approached by the Women’s Institute to talk to them in detail about how the law might change.

I think we all looked back proudly at how much better life had become for women in so many areas — yet none of us was confident that equality was now ‘sorted’ and Woman’s Hour had talked itself out of a job.

Since I announced my departure, some commentato­rs have suggested that the very idea of a ‘Woman’s Hour’ has become an anachronis­m and should be terminated.

Not a bit of it. On my last day we talked about the health inequaliti­es women suffer because medical research has often left us out of the picture; the unfair burden of domestic work which has been highlighte­d by the pandemic; the undervalui­ng of those who work part-time in vital jobs such as cleaning and caring; and the clear picture of domestic violence the virus has brought to the fore. Woman’s Hour’s voice is as vital as ever.

In which case, you may ask, why am I stepping aside from a job I so loved?

Of course, the virus put paid to some of the pleasures of my daily working life. Arriving at Broadcasti­ng House had become rather like entering the Mary Celeste.

Only two producers were allowed, together with a programme assistant and a studio manager — all carefully socially distanced. Much of the morning was taken up with sorting out phone or Zoom lines, often unreliable, to distant guests. There was no one but me in the studio.

I craved real people to interview without those crackling, muffled, suddenly disappeari­ng sounds as a line went dead. For warm, direct human communicat­ion to take place and be heard in homes across the country. It was not to be. As I walked away on Thursday, having shared Mary Berry’s gift of a chocolate cake, I couldn’t help feeling a sense of relief that, given the ‘ rule of six’, I would not

have to endure the big farewell party that is common practice for a long- serving contributo­r to the Corporatio­n.

I hate those parties. I’ve never been at home in a crushing crowd, I don’t like cheap white wine and I’m hopeless at receiving a compliment gracefully — no doubt the result of a mother who made a point of never giving me one and constantly warned me never to get above myself.

For me, there were no hugs, only a few tears and I simply walked away from the sometimes suffocatin­g embrace of A untie, with whom I had spent nearly 50 years of my life, without a back - ward glance.

I was not leaving , contrary to popular rumour, as a result of ageism on the part of the BBC. I made the decision a year ago when it became clear to me that it was time to move on and be free of the leash which, in recent years, had caused me to be what I can only describe as ‘cancelled’.

First came the furore concerning an article I had written in which I acknowledg­ed that I was entering the most controvers­ial and, at times, vicious, vulgar and threat - ening debate of our day.

I made clear that I was not transphobi­c or anti-trans. Indeed, I emphasised my belief that everyone — whether transgende­r or those of us who hold to the sex assigned to us at birth — should be treated with respect and protected from the bullying and violence that so many like me have suffered.

I merely asked the trans activists to acknowledg­e the difference between sex and gender , a trans woman and a woman, respect our right to safe single -sex spaces and abandon the nonsensica­l idea that we should be known as ‘cis women’.

We are women. No need for further definition. I begged trans activists to understand feminism and the struggle we had experi - enced in fighting for our right to be viewed as equals to men.

I reminded them that feminism had fought against sexual stereo - typing, and that it was ridiculous to assume a girl who liked cars and trousers really wanted to be a boy, or a boy who loved dolls was ‘ born in the wrong body’ and needed to be a girl.

Of course, I was branded a TERF — a Trans-Exclusiona­ry Radical Feminist — on social media and threatened with all kinds of violence. But what shocked me most was the BBC’s response.

I was roundly ticked off publicly and informed that I would not be allowed to chair any discussion­s on the trans question or the proposed changes to the Gender Recognitio­n Act. I had lots of emails and tweets asking me why I had not been involved in this debate, as it was so important to Woman’s Hour listeners. You have the answer.

A similar response from the BBC came as a result of a short piece I wrote for a book after the referen - dum on EU membership resulted in our leaving the Union.

I was not a ‘Remoaner’, ignoring the democratic decision that had been made and arguing for another referendum to bring about a different result. I merely expressed my sadness, as a postwar baby boomer, that my youthful dream of a union that had nothing to do with trade and economics, but an entente that would ensure peace in Europe and free movement for my sons, would be lost.

Another warning from the BBC came at me. I had breached the rules on impartiali­ty again and this time I would be banned from covering the election in 2019.

This 32 years after I joined Woman’s Hour and had covered every election since 1987 — not to mention the ones I’d been involved with on Newsnight and the T oday programme, with nothing but praise and admira - tion for my absolute impartiali­ty on air , being as tough and challengin­g an interviewe­r to whatever member of which party appeared in front of me.

It’s an interestin­g word, imparti - ality. For years, until recently, I and other broadcast journalist­s have written articles and books. In my case they were often controvers­ial ones on marriage, abortion, pornograph­y or bringing up boys, and I suffered no comeback from the BBC. At one point I was actually encouraged by a channel controller to write a regular column as a way of widening awareness of Woman’s Hour and Radio 4.

Impartiali­ty was perceived as what a presenter demonstrat­ed in the studio. It was not assumed that the radio or television audience expected the men and women who entered their homes on a daily basis to be dull ciphers with no opinions or personalit­ies.

I defy anyone to know which political party I have voted for, or what I think about the current moves towards Brexit, or the way the coronaviru­s crisis has been handled — because, on air, I have been impartial, exactly as I should have been.

I do hope the new Director - General, Tim Davie, will bear this in mind and have no fear of a

Once, we didn’t have to be just dull ciphers

seemingly unfriendly government or the Twitter mob bringing down his greatest broadcaste­rs.

Then there is the issue of pay. People have always assumed that a presenter at the BBC must be rolling in it. That was certainly not true in my case.

i had never had an agent to bump up my pay — feeling proud to be hired to do a job i loved for an organisati­on i trusted, admired and felt would only pay a reasonable amount for what was, essentiall­y, a public service.

it only became a real issue when the government demanded that large organisati­ons should reveal their gender pay gap. The BBC’s was considerab­le. i negotiated a rise that took my annual remunerati­on up to just over £100,000 a year.

i was astonished to receive such an enormous sum. i was a working-class girl from Barnsley whose father could never have dreamt of earning such a vast amount. Neverthele­ss, i found that the daily rate i had been awarded per programme was still less than those for men who had carried out similar work in earlier years.

You may have been surprised to find that neither my fellow presenter Jane Garvey nor i was included in the recently published long list of presenters earning more than £150,000 a year.

The reason? Despite delivering a hugely popular daily magazine, once described as ‘a listed building of broadcasti­ng’ by a senior manager, on which equal pay had first been discussed in 1946, we didn’t qualify. So no, half a lifetime at the BBC hasn’t made me a rich woman, nor should it have.

But yes, it has been rather more than infuriatin­g to find younger, less experience­d presenters earning twice or even three times as much as me, or the long list of executives on six-figure salaries with job titles that seem to have precious little to do with broadcasti­ng.

What concerns me now, given all the uncertaint­y about the future management of the Corporatio­n and how it will be paid for, is the security of what i have always loved about the BBC. it has, above all, represente­d quality in all things.

i have been produced and edited by some of the cleverest, most imaginativ­e profession­als, brimming with ideas and intellect — but it seems to me that, in the value system of the BBC, they have frequently been neglected. The number of them has diminished in an effort to save money.

The remaining ones work phenomenal­ly long hours for relatively little financial reward. The pay range is from £36,000 to £64,000. So the people on the front line of what we are there to do could not hope to match the salary offered in the first advertisem­ent put out by the new D-G: for a Group Director of Corporate Affairs — on £220,000! i wonder what he or she will do all day.

i have loved the BBC and consider myself very lucky and privileged to have lasted so long. i was even recommende­d to be made a Dame for my contributi­on to radio.

i want the Corporatio­n to retain its reputation for the greatest public service broadcasti­ng in the world — informing, educating and entertaini­ng both young and old and the whole population of the United kingdom.

i leave a free woman with new opportunit­ies to pursue, but with some sadness and a word to the new Director-General: it’s the content that matters and that is where the investment should be made.

Please also bear in mind the BBC’s traditiona­l understand­ing of impartiali­ty. A woman like me has knowledge, wisdom and experience. She was not in a BBC studio for any reason but to present the crucial issues of the day and elicit opinion from her guests, never broadcast her own.

But she has opinions — sometimes controvers­ial ones — and she will not be silenced.

So thanks for the flowers and ‘Goodbye’.

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 ??  ?? A voice of reason and Impartiali­ty: Dame Jenni in the studio and, inset below, in the first decade of her career
A voice of reason and Impartiali­ty: Dame Jenni in the studio and, inset below, in the first decade of her career

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