Daily Mail

The best things in life really ARE free

- NICK RENNISON

VALUE: WHAT MONEY CAN’T BUY by Stephen Bayley (Constable £18.99, 272 pp)

We ALL hope to emerge soon from what the writer, critic and design ‘guru’ Stephen Bayley calls ‘The Great Isolation’. What will we then want from our renewed lives? Bayley’s latest book puts forward some answers.

Partly, value is a fiercely witty polemic directed at all those elements of the modern world he dislikes. There’s quite a long list of them.

He hates the fashion industry: ‘When death threatens to stalk the catwalk alongside leggy zonked-out models, a new Gucci handbag does not, perhaps, seem quite so important as it once did.’

He can’t stand Facebook founder Mark Zuckerberg (‘ a highfuncti­oning dork’) and he’s not very keen on other tech entreprene­urs whom he describes as ‘a mob of charmless… moneygrubb­ing predatory sociopaths’.

He has little time for ‘brainless travel’. As he puts it, ‘Post-viral, flying to Prague for £9.99 for a p***- up with the boys on Friday night becomes very clearly the obscenity it always was.’

Business travel is, if anything, worse. ‘rheumy and dyspeptic lost souls assembling for a jet to Frankfurt at five in the morning with only a muffin for comfort,’ he remarks, ‘are not an edifying sight.’

It’s hard not to cheer at times as Bayley enthusiast­ically lays into everything from modern media (which ‘dignify irrelevanc­e and trivialise the important’) to the iPhone (‘as sleek a conduit as you would ever want to traffic internet sewage’).

It’s tempting to call him a Luddite, but he swiftly pre-empts any potential critics and is happy to embrace the title.

The original Ned Ludd was a semi-mythical figure who smashed the machinery that threatened his livelihood during the Industrial revolution. If he were around today, he’d be claiming that ‘conversati­ons are better than Twitter’ and ‘ books are better than e-readers’. He’d be proclaimin­g ‘vinyl is better than Spotify’, and ‘ cinema is better than streaming’. And Bayley would doubtless be in full agreement.

However, his book is not all, or even mostly, entertaini­ng invective. It’s also a plea to readers to search out what is truly valuable. As Bayley writes, ‘the highest forms of enjoyment are free. Or, at least, not very expensive.’

We can all of us be on the lookout for beauty which can be found in the most unexpected places. We can rediscover the satisfacti­ons of simplicity and engage ‘with the immediacy of the everyday’.

We can enjoy great art and also find value in ordinary things. If we are prepared to listen, ‘places, buildings and objects have stories to tell . . . and it is valuable to hear them’.

During the ‘Great Isolation’ we have grown used to people speculatin­g about what we might expect when it comes to an end.

Amusing, erudite, insightful and (just occasional­ly) so infuriatin­g in its snooty dismissal of the more harmless delights of modern media you want to hurl it at the nearest wall, value is one man’s guide to what we should want to happen.

‘The conclusion here,’ Bayley decides, ‘is that there is not one. you just need to keep on asking questions. Cultivate the senses. And enjoy the mysterious glory of the everyday.’

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