Daily Mail

Make mine a ginger bread mansion!

It’s where Grand Designs meets Bake Off: The woman who makes the festive treat on a palatial scale

- By Tanith Carey

DId YOuR one attempt to make a Christmas gingerbrea­d house end up in a humiliatin­g heap of crumbs and soggy icing? Then you might want to look away now. Because these glorious showstoppe­rs put the stars of Bake Off to shame.

From the Palace of Versailles to Castle Howard, there’s no building that Britain’s first ‘gingerbrea­d architect’ can’t recreate. Every year, Emily Garland creates exquisitel­y scaled-down models of some of the world’s most beautiful buildings, complete with doric columns, domed roofs and window after window of painstakin­gly piped with royal icing.

And while they’d certainly make a glorious centrepiec­e for your Christmas table, you’d struggle to fit some of the largest through the door. After ten years honing her cooking and constructi­on techniques, her biggest creation of all was 6ft high.

Though you’d expect her to have learnt in a top patisserie, the 38-year-old — known as ‘the Maid of Gingerbrea­d’ — is self-taught. ‘My mother told me that cooking is a game you can eat,’ says Emily. ‘I have only ever learnt on the job. However, I think of myself just as much as an engineer. My materials just happen to be edible.’

It’s easy to sniff out Emily’s studio in a mews in Hackney, East London, thanks to the delicious aromas emanating from it.

Inside a cramped room, lined with pots of treacle and a rainbow of food colouring, today she is putting the finishing touches to a 2ft replica of a Georgian townhouse in Central London.

From the edible black brickwork to the ornate cornicing, this is clearly the centrepiec­e for an elegant Christmas party.

So how does she do it? ‘For bigger builds, my first step is to use Google Earth to capture aerial shots,’ she says. ‘Then I make cardboard models. Once I am happy with it, I dismantle it and use the templates to cut the gingerbrea­d pieces to the right sizes.’

The gingerbrea­d dough is cooked at exactly the right temperatur­e for each piece’s size for maximum strength. Next, the edges are filed down with a cheese grater so each segment fits to perfection.

The final step is to glue them together with royal icing whipped to the consistenc­y of toothpaste. She often dyes it to the same shade as the gingerbrea­d to create a seamless effect.

I imagine the most nerve-racking part must be transporti­ng her incredible confection­s. But Emily reveals that bigger buildings are moved in parts then pieced together at their destinatio­n.

In any case, Emily’s work is designed to be robust. ‘They always arrive in one piece. I haven’t had an accident yet.’

Her passion for gingerbrea­d houses began as a tot in a family of enthusiast­ic home bakers near Colchester, Essex. Entranced by the sight and smell, she was just four when she asked her mother to make her a gingerbrea­d house for her birthday instead of a cake.

Even so, baking didn’t seem like a career option and she initially trained as a musician. But 11 years ago she was invited to a friend’s circus-themed birthday party and decided to make a gingerbrea­d big top, complete with animals jumping through Party Ring biscuits.

‘Everyone’s reaction was so overwhelmi­ng I started to wonder if I could turn it into a business.’

Having left her job in university administra­tion, Emily started selling biscuits, before moving into gingerbrea­d versions of real homes. Over time, her constructi­ons became more ambitious.

‘I would make something and then someone would see it and want something bigger.’

Her breakthrou­gh came in 2016 when she got her first large-scale commission to recreate Castle Howard, the Yorkshire stately home famous as the house in TV’s Brideshead Revisited. The 4m by 3m model included seven separate buildings and had a model train. Commission to completion took three months.

Since then, Emily has made copies of iconic buildings including Somerset House, The Waldorf Hotel and Lancaster House.

While prices for her creations can

start at just two figures, the most ambitious reach up to four. ‘Each piece is bespoke. Much of it depends on how complicate­d the building is,’ says Emily.

‘For example, domes aren’t impossible to make, but they do take longer.’

Emily also shares her secrets in online kits available from her website, which includes templates for a range of projects. What most amateur bakers will be clamouring to know is how she keeps all her creations upright. The secret, Emily reveals, is a smooth biscuit, evenly cooked. ‘The best gingerbrea­d recipe is one that doesn’t have any bicarbonat­e of soda or egg in it, so you get nice flat shapes,’ she says.

‘To get sharp edges, pop the gingerbrea­d shapes in the freezer before they go in the oven.’ While her creations may look too good to eat, she encourages her work to be broken into bits, often throwing in a free mallet. ‘Gingerbrea­d is more fun and has so much more drama than cake.

‘Smashing something to bits is so much more satisfying than slicing into a sponge.’

Her favourite part is seeing her clients’ faces when they set eyes on her gingerbrea­d replicas. ‘It doesn’t matter who they are, or how grand the house, when a customer sees their property made out of gingerbrea­d, you can see childlike excitement in their eyes.

‘Plus, the aroma of gingerbrea­d is always amazing. After all these years, I still love it.’

To download Emily’s gingerbrea­d-making kit for £5, go to maidofging­erbread.com

 ?? ??
 ?? ?? 108 MARYLEBONE LANE: Emily’s gingerbrea­d version of the chic London brasserie is 2ft across and took her three days to complete
108 MARYLEBONE LANE: Emily’s gingerbrea­d version of the chic London brasserie is 2ft across and took her three days to complete
 ?? ?? PALACE OF VERSAILLES: Emily works on 6ft x 4ft replica commission­ed by the British Museum and big enough to feed 750 people
PALACE OF VERSAILLES: Emily works on 6ft x 4ft replica commission­ed by the British Museum and big enough to feed 750 people
 ?? ?? SOMERSET HOUSE: Tiny, by her standards, 8in wide version of neoclassic­al building designed by Sir William Chambers in 1776
SOMERSET HOUSE: Tiny, by her standards, 8in wide version of neoclassic­al building designed by Sir William Chambers in 1776
 ?? ?? CASTLE HOWARD: Emily took three months over this awesome creation, which includes seven separate buildings and a train
CASTLE HOWARD: Emily took three months over this awesome creation, which includes seven separate buildings and a train
 ?? ?? GRAFTON STREET: This 2ft wide model of a townhouse in Central London needed plenty of black food colouring
GRAFTON STREET: This 2ft wide model of a townhouse in Central London needed plenty of black food colouring
 ?? ??
 ?? ?? TOWNHOUSE: Emily made this 6ft creation for the Ideal Home Exhibition, using around 22 lb of flour
WALDORF HOTEL: Emily spent a week making this 3ft x 2ft model for a Christmas display in the hotel’s foyer
TOWNHOUSE: Emily made this 6ft creation for the Ideal Home Exhibition, using around 22 lb of flour WALDORF HOTEL: Emily spent a week making this 3ft x 2ft model for a Christmas display in the hotel’s foyer

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