Decanter

Interview: Alain Brumont

- Stephen Brook is an awarded author and has been a Decanter contributi­ng editor since 1996

Stephen Brook

His path to success has been far from smooth, but this Madiran-based producer has managed to surmount every obstacle he has encountere­d, making some of southwest France’s most lauded wines along the way. Stephen Brook meets a man defined by his persistenc­e and tenacity

For three hours, Alain Brumont whizzed me around his properties, greeting his staff, checking the bottling line, sampling some of the newly fermenting wines and then driving me to some of his best vineyards, explaining the terroir of each.

At every stop he leaped from his truck to show me how his vines were trained, while also showing me the errors of others: ‘Look at those rows! The guy’s a biodynamic producer. That’s well and good, but he’s got 16 bunches per vine, while I never have more than nine. It’ll show in the wine, I promise you.’

That wine is Madiran, and the top cuvées, from other estates as well as from Brumont, are often pure Tannat. It was not always thus.

Although historical­ly Tannat had been the main – and in some cases the only – variety planted in this deeply rural, hilly area of southwest France, by the 1970s many producers had planted Bordelais varieties as well. This was partly to soften Tannat’s ferocious tannins, but also to add volume, since Tannat is fairly low-yielding.

In an interestin­g footnote, Brumont told me: ‘Everyone talks of how Syrah from Hermitage was sent to Bordeaux to improve poor vintages. That’s a myth, and that’s confirmed by my friends Guigal and Chapoutier. What they did use was Tannat.’

In 1985, Brumont released the region’s first pure Tannat for many years: his barrique-aged Château Montus Prestige. It was inspired by a visit to Bordeaux in 1979, just as similar visits caused a revolution in Barolo and Barbaresco in Italy. This Prestige wine caused a sensation and his reputation was made. It was a satisfying moment for a man who had started with almost nothing.

‘My father owned Château Bouscassé. At the age of 16 he made me leave school and work for him.’ Brumont took over Bouscassé in 1979 and bought the abandoned Château Montus in 1980. There were no vines, so he planted 18 hectares. It’s not entirely clear how he financed his purchases; there seems to have been a measure of wheeler-dealing.

‘Remember, at that time, no one valued terroir here. But I chose my plots carefully. I made massal selections and planted a lowyieldin­g clone of Tannat to ensure quality. I also picked my vineyards by hand at a time when nearly all my neighbours were using machines. They thought I was crazy.’

How, I wondered, did he choose the terroirs where he wanted to plant? ‘Instinct. I just had a nose for good soils and microclima­tes. As Léonard Humbrecht from Alsace told me, you need to imagine the wine you can make.’

Building an empire

He expanded swiftly. ‘The best terroirs were on slopes that were often hard to work. Hardly anybody wanted them, and they were going cheap. At that time, farmers preferred to grow wheat in the valleys rather than grapes on the hillsides.’ But he admits he isn’t infallible, and sometimes he has had to pull out or sell parcels that didn’t meet his expectatio­ns.

He has also stopped farming organicall­y. ‘I used to, but stopped, as organic viticultur­e doesn’t require environmen­tal actions, which I’m keen on. These days we repackage all our plastic and cartons, and the kitchen waste is fed to our chickens.’

Brumont, with his inextingui­shable energy, likes to push things to extremes. Some cuvées, such as Montus XL, are pure Tannat aged in wood for 40 months; both his Prestige bottling from Montus and his Bouscassé Vielles Vignes spend two years in 100% new oak.

Unfortunat­ely, he expanded too fast, perhaps from over-confidence, and in 2004 the business was threatened by some severe financial difficulti­es. His costly conversion of the château at Montus into a luxury hotel, and the constructi­on of a huge new winery at Montus, may have contribute­d to the setback.

But it was short-lived, and Alain Brumont soon bounced back. Precisely how he managed to keep his empire alive and thriving is hard to discern, but he did so.

In addition to the 300ha he owns or controls in Madiran, he buys from a further 300ha in the Côtes de Gascogne, creating a

‘I just had a nose for good soils and microclima­tes’

Alain Brumont

range of inexpensiv­e wines that transcend the very commercial image of that appellatio­n. And while he would claim that his top Tannats are among the finest wines of southwest France, he has also created the brand Torus, made with fruit sourced from young vines and intended for relatively early drinking.

Always moving forward

Now in his early 70s, with his third wife Laurence and her son Antoine by his side, he shows no sign of slowing down. Although very much the boss of the operation, he dislikes any notion of hierarchy. Each lunchtime, he sits down at Bouscassé to enjoy a good lunch with his team and with any visitors, whether from the wine trade or from his extensive private clientele. It was the same set-up when I visited Brumont 20 years ago, and it hasn’t changed.

He likes to hold forth, but is not easy to interview, and his slight regional twang sometimes makes him hard to follow. As does his tendency to leap from topic to topic, so that a response to any question can follow tangents such as 19th-century vine training, Gascon chicken breeds and his method of sterilisin­g barrels. All very interestin­g, but not always to the point.

He likes to design equipment or have it tailor-made, and is keen on technologi­cal innovation­s. ‘If the air conditioni­ng at the warehouse breaks down, the walls have been designed so that the interior will lose just one degree Celsius in three months!’

Aware that French summers are becoming increasing­ly torrid, even in a region used to

dry heat, he is working on a kind of shutter system with movable blades that can protect vines from direct sunlight. He has a dizzying number of other projects on the go, such as promoting local gastronomy, raising Noir de Bigorre black pigs on the pastures at Montus, and producing caviar from the Adour river.

His two chefs bake bread daily, made from flour sourced from a local organic farmer. And in his spare time, he consults for two large estates in Morocco.

With his chief winemakers at the helm for many years, the wines have not suffered from inconsiste­ncy. The main ranges are divided between the two properties. Bouscassé is on clay-limestone, and has the very old vines lacking at Montus.

‘Bouscassé is a terroir that permits me to plant other varieties to blend with Tannat, whereas Montus has galets rouges, the large stones similar to those at Châteauneu­f-duPape. Here I plant mostly Tannat, but Cabernet Sauvignon also works well, and is blended into the basic Madiran.’

The Brumont wines are quite extracted and benefit from long ageing. ‘Tannat doesn’t oxidise easily, which is an advantage, but it also has very high acidity, so even at maximum ripeness levels it can retain freshness.’ Wines tend to be released about four years after harvest, so Brumont undertakes the initial ageing in his cellars.

For some reason, the Madiran producers decided that the ideal name for their whitewine appellatio­n should be Pacherenc du VicBilh, rather than something more selfexplan­atory (and pronouncea­ble). That’s a shame, as it obscures the fact that the whites can be very good indeed. Brumont chooses the Petit Courbu grape for his dry white, which comes in two versions: the first, Les Jardins Philosophi­ques, fresh and unoaked; the second, Montus Blanc Sec, given long ageing in 600-litre barrels and in Austrian ovals. There are sweet wines too, from the Petit Manseng grape popular in Jurançon. Like sweet Jurançon, sweet Pacherenc is made from grapes dried on the vine, not botrytised.

Brumont, ever aspiring to the heights, produces up to three versions of the sweet wine, depending on sugar content and residual sugar. The fruit for the top bottling, Frimaire, is often picked in December, and the wine is aged for two years in new oak; it can have up to 150 grams per litre of residual sugar. Madiran is warmer than Jurançon, so Petit Manseng in Madiran doesn’t always deliver the intensity and high acidity of the latter region, but the Brumont wines do not have any softness or sag.

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 ??  ?? Above: Château Montus, bought by Brumont in 1980
Above: Château Montus, bought by Brumont in 1980
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