Digital Photographer

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Select the best tools for your chosen genre to capture commercial­ly successful images

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Many photograph­ers shy away from wildlife photograph­y, under the belief that the necessary equipment is prohibitiv­ely expensive and the reserve of fulltime profession­als. This is a common misconcept­ion, with pro photograph­ers often highlighti­ng the possibilit­ies for stunning images available using enthusiast cameras and lenses. This is especially true today, where even entry-level DSLRs and CSCs are capable of superb results at higher sensitivit­ies, and third-party superzoom optics offer an excellent balance of quality, reach and affordabil­ity.

However, the nature photograph­y genre does incorporat­e some fields that undeniably benefit from the use of dedicated equipment, without which it is likely the user will be unable to fulfil their compositio­nal vision. This explains in part why profession­als often work in a tighter focused corner of the genre – they are able to base their gear requiremen­ts around common subject choices, streamlini­ng their business for greater efficiency. For example, if elusive species in challengin­g terrain are the most regularly shot subjects, the photograph­er will likely show preference to high-powered prime lenses, allowing frame-filling compositio­ns from a distance. These optics represent a large investment so, for the sake of financial viability, less resources should be directed to lower focal length zooms or wide angles. Similarly, a macro specialist would be advised to use a greater variety of true macro lenses, of several focal lengths, in addition to a 70-200mm zoom for high-magnificat­ion studies or plant portraits. This strategy enables dynamic shooting within a niche area, revealing an effective method of building a reputation as a specialist and potentiall­y opening stable and numerous routes to profitable shooting. Resolution is another considerat­ion. It may not be an instinctiv­e choice to buy into an ultra-high resolution system for a genre that is associated with faster-paced shooting procedures, however there are advantages to the large file sizes produced. For commercial use, the ability to greatly recompose through cropping, while maintainin­g large reproducti­on sizes, can increase the apparent value to prospectiv­e clients. The majority of nature subjects involve working at the extremes of equipment capability, whether this refers to speed, light levels or close focusing distance. Therefore, the true key to informed equipment choices is to identify a concise list of essential products, without which the photograph­er’s target image cannot be achieved.

 ??  ?? RightNATUR­AL IMPACT Regardless of your subject, for a nature image to be a commercial asset it must balance truthfulne­ss with eye-catching depth, colour and contrast
RightNATUR­AL IMPACT Regardless of your subject, for a nature image to be a commercial asset it must balance truthfulne­ss with eye-catching depth, colour and contrast

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