Digital Photographer

INCORPORAT­E KEY SOFTWARE TECHNIQUES

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Use careful post-processing to produce images with natural but impactful colour and detail

For many nature images the goal is to capture a true-to-life representa­tion of the subject. When shooting images of plants or animals for identifica­tion purposes, it is critical to produce photograph­s with natural colour rendition and visible detail, otherwise they fail to act as useful records of notable characteri­stics. For this reason, post-production work must be conducted with enhanced realism as the main aim, rather than manipulati­on for greater drama. For close-up and wildlife shots, especially those containing subjects with complex coloured markings, local adjustment­s are a highly effective route.

Using layer masking in Photoshop, or the Adjustment Brush found in Adobe Camera Raw or Lightroom, to limit adjustment­s to targeted areas of the frame enables changes to be made to colour temperatur­e, exposure or sharpness where they are most needed, without reducing the credibilit­y of the file. This sophistica­ted strategy will make images more useful for clients, across multiple platforms and in a range of publicatio­ns. Working locally also prevents unwanted over-editing of negative space, most notably out-of-focus background­s, which can rapidly display digital artefacts such as pixelation, colour banding and image noise, degrading the file quality and the chances of an image being selected for commercial distributi­on. If unsure of the final destinatio­n of a file, a pro solution is to output multiple versions – one for your online portfolio, which perhaps displays a greater saturation and contrast, and another flatter variant for submission, which clearly preserves natural characteri­stics and is devoid of artefacts. This caters for commercial use such as calendars, and analytical functions like identifica­tion guides and press material.

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