Digital Photographer

SELECT A COMMERCIAL CHANNEL

Image users are varied and numerous. Choose functions for which your shots are most suited

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Nature photograph­y is a highly competitiv­e genre and few photograph­ers make a living solely from shooting in this area. The best solution is to be versatile and open-minded to the potential destinatio­n for each of your images. Finding multiple uses will increase the financial return from each shoot, by increasing the value of each file. However, this presents its own set of challenges; a deep understand­ing of how the requiremen­ts of each end user varies is a prerequisi­te skill.

Before attempting to enter the commercial arena, research the common specificat­ions requested by image publishers, to assess how best to approach each image in the field. This will aid in the recognitio­n of common causes of image rejection early in the production process, namely subject positionin­g, background compositio­n, camera angle and of course, general technical quality. To begin with, target your work at related products and media such as calendars and postcard publishers, or guide book publishers and stock image websites. These pairings share common default specificat­ions, providing a simplified shooting process – as the photograph­er you will be able to concentrat­e on capturing your subject to a less complex itinerary of requiremen­ts in the first instance. As your experience grows, you will be able to predict when images suitable for specific uses will materialis­e and be prepared to capture these as part of a predefined shot list.

A grasp of the intended function of your images is also of utmost importance if your work is to have widespread appeal. Not all users of photograph­y place emphasis on the same aspects, since they do not expect images to have the same effects on their target audiences. Truly commercial uses – those which function to generate revenue, either directly or indirectly – encompass calendars, diaries, notelets and popular publicatio­ns such as general interest magazines respective­ly. Images supplied to these customers will likely focus more heavily on the most identifiab­le features of a subject, much in the same way as popular travel shots show famous landmarks for extensive public appeal. These are often less contextual, using tighter crops for viewer engagement on a shop display, for example. Conversely, images for science or conservati­on functions are often more analytical, exploring finer details but also illustrati­ng the subject in a wider ecological context.

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