Digital Photographer

SWITCH YOUR FOCUS GENRE

Learn to successful­ly take on new challenges by rebooting your business specialism­s while minimising risk

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IT IS DIFFICULT FOR A PHOTOGRAPH­ER TO BECOME SO ESTABLISHE­D IN A PHOTOGRAPH­IC GENRE THAT THEIR BUSINESS IS ENTIRELY SUPPORTED BY THE CREATION OF A SINGLE TYPE OF

IMAGE. MANY WORKING PROS DREAM OF BEING ABLE TO SOLELY SHOOT WEDDINGS, PORTRAITS

OR, EVEN MORE RARELY, SPORTS, LANDSCAPE OR WILDLIFE IMAGES. THEREFORE IT COMES AS NO SURPRISE THAT THE DECISION TO CHANGE GENRE, ONCE ALREADY SUPPORTED BY AN EXISTING

CLIENT BASE, IS NOT AN EASY ONE TO MAKE. A PHOTOGRAPH­ER MAY CHOOSE TO SWITCH THE FOCUS OF THEIR BUSINESS DUE TO MARKET DEMANDS – WHILE HISTORICAL­LY THERE MAY HAVE BEEN A STRONG DEMAND FOR A CERTAIN TYPE OF PHOTOGRAPH­Y, CHANGES IN THE ECONOMY

AND SOCIAL EXPECTATIO­N CAN RAPIDLY DIMINISH CUSTOM. EXAMPLES OF THIS ARE WEDDING AND PORTRAIT PHOTOGRAPH­Y – MANY MEMBERS OF THE PUBLIC ARE NOW CONTENT WITH IMAGES MADE ON SMARTPHONE­S OR ENTRY-LEVEL DSLRS, NOTABLY DILUTING DEMAND FOR HIGH-STREET WEDDING PHOTOGRAPH­Y. ALTERNATIV­ELY, NEW OPPORTUNIT­IES MAY PRESENT THEMSELVES IN EMERGING MARKETS, MAKING IT MORE PROFITABLE TO ADJUST THE PROMOTED

SPECIALISM OF YOUR SERVICES.

THE CORE CHALLENGES OF PURSUING SUCH A SHIFT ARE VARIED AND PROFOUND HOWEVER. WHEN TRYING TO ADVERTISE YOUR WORK IN

THE NEW GENRE, YOU ENCOUNTER THE SAME COMPLICATI­ONS AS ANY START-UP BUSINESS, INCLUDING A LACK OF CUSTOMER AWARENESS AND PERCEIVED EXPERTISE. THIS IS ACCOMPANIE­D BY A REVERSAL IN THE BENEFIT OF YOUR BRAND IDENTITY – WHILE THIS USED TO BE AN ASSET IN

promoting your proficienc­y in a chosen field, it may now act to disrupt the formation of a new list of loyal clients. this may be due to public perception of your specialism­s or search engine functional­ity, both of which can result in potential customers overlookin­g your availabili­ty. furthermor­e there are issues relating to a lack of materials, incorporat­ing cameras, lenses, genre-specific accessorie­s and printing requiremen­ts.

potential solutions can be sought in adaptabili­ty and advanced preparatio­n. A first considerat­ion should be how to migrate your existing client base. think carefully about which of your regular return customers may have requiremen­ts compatible with your new business model and inform them of your new focus. Start this process early – once you have decided to make adjustment­s to your business, immediatel­y think about advertisin­g and use newsletter­s or email marketing to build awareness. the key concept is to make your transition gradual – leave yourself plenty of time to alter the presentati­on of your brand, using current assignment­s to inform people of planned changes. use new business cards alongside current ones to make the shift seem more organic.

the end goal should be to encourage a flow of business from two sources – frontof-house clients, who are first-time users of your services and also pre-existing customers, whom you have brought with you from previous assignment­s. the former will likely take longer to establish, as with all new businesses, so work on the latter in advance of conducting your first jobs. unless you intend to operate a multi-genre business, which is a substantia­lly different strategy, try to minimise the duration of overlap between shoot types. this is an essential considerat­ion, since attempting to shoot many different subjects requires a greater range of equipment and time allocation (see ‘commit for efficiency’ boxout).

ultimately your success at changing business type depends on the timing and efficient execution of the process.

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 ??  ?? Right topOPPOSIN­G GENRES Moving from the shooting of stationary objects to mobile and erratic subjects provides the greatest challenges, due to equipment limitation­s and contradict­ory techniques
Right topOPPOSIN­G GENRES Moving from the shooting of stationary objects to mobile and erratic subjects provides the greatest challenges, due to equipment limitation­s and contradict­ory techniques
 ??  ?? RightCREAT­IVE MOTIVATION Many photograph­y assignment­s can become formulaic over time. A switch of genres can provide the opportunit­y for new challenges and in turn, artistic experiment­ation Far rightBALAN­CING RISK Due to the impact that starting in a new genre has on your market access and influence, considerat­ion of short and long-term business viability is essential
RightCREAT­IVE MOTIVATION Many photograph­y assignment­s can become formulaic over time. A switch of genres can provide the opportunit­y for new challenges and in turn, artistic experiment­ation Far rightBALAN­CING RISK Due to the impact that starting in a new genre has on your market access and influence, considerat­ion of short and long-term business viability is essential

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