INTERVIEW
Landscape devotee David Ball on how a passion for photography can keep a genre alive by introducing a unique character
Few people would deny that landscape photography is one of the most popular genres, with the majority of photographers having experimented with scenic subjects at some point in their career. However, with this interest comes exceptional challenges to produce original work, as locations are regularly visited and studied using similar styles and techniques. the key to unique compositions is to be adaptable and adjust your approach to match conditions. David Ball (davidballphotography.co.uk) has an impressive and varied portfolio, which demonstrates this perfectly.
When asked about how he addresses the issue of repetition, his response is quite pragmatic. “When people ask me what sets my work apart from everyone else’s, i say that it’s not always possible to capture unique images every time you go out, but you can always have that in your mind. that’s how i continue to be unique – by always trying my best to capture something different. No matter what, i always shoot for myself. sometimes it works out, sometimes it doesn’t.” While it is not constructive to become overly occupied with trying to achieve the somewhat elusive goal of producing an individual photographic style, creativity and innovation can only become a reality when the photographer has defined their personal likes and dislikes, from the perspective of equipment choice if nothing else. “i would say my style lies with the longexposure seascape, to capture an original take on much-loved locations,” explains David. “Being a landscape photographer who loves shooting by the sea, my Lee filters are the most important part of my kit. Filters are my saviour, especially if i want to shoot a long exposure to smooth out the water, or even when using my polariser to cut out the harsh glare when shooting waterfalls etc.”
David has a long-standing affection for landscape photography and this has played
“In my personal opinion, time is the most important investment you can make in getting successful photographs”
a key role in his ability to capture wellshot subjects in new and interesting ways. However, this specialism only developed after he experimented with many other genres of the medium. “i finally found my love for landscape work after doing various types of photography throughout my ten years of experience. My motivation to become a photographer started at a young age, when my grandad would inspire me with his camera on holidays,” he recalls. “My passion is now my landscape work, some of which has been published in leading worldwide photography magazines and shortlisted in various competitions.”
in order for any photographer to be effectively adaptable, preparation is key. David always considers potential shots before heading out on a shoot, allowing him to be ready for any condition he finds on location. “i’m forever checking the weather and tides, as photography is never far away from my mind. i live in Nottinghamshire, which can sometimes make things difficult [for shooting seascapes] as it is not located that close to the coast. i never let it bother me though, because if i want something enough i.e. that previsualised image, i will do whatever it takes to make it happen.”
Knowing a location well is the next key step to stand-out landscapes, as familiarity with the shape and orientation of the terrain allows the photographer to concentrate on capturing the most attractive qualities. “My favourite location to shoot is scotland,” says David. “For many photographers i’m sure scotland comes out on top and is a very easy choice, but [initially] it wasn’t for me, due to my preference for seascapes. However, having travelled around scotland shooting landscape photography for the past five years, it is becoming harder for me to pick anywhere else!”
speaking of the range of subjects featured in David’s portfolio, he explains that his approach is largely the same for
all locations. By scaling down his creative process to considering the basics of composition and lighting, he is able to produce an element of continuity across all of his images. “My approach to photography is and has always been the same and will never change – when i’m out shooting, no matter what the weather conditions, i will always aim to get a strong composition. Yes different weather conditions are going to change your mindset with filters etc, but my goal is always the same.”
As much as familiarity supports preparedness, novelty has the potential to spark imagination and creativity. One of the most exciting aspects of locationbased photo genres is visiting a new one. We asked David what locations were on his wish list: “iceland is a place i’ve not yet managed to visit and has been a long-time dream destination of mine. Furthermore i’ve always wanted to visit the mud flats in Death valley – it is a place i’ve wanted to see since my photography journey started. i remember seeing images in magazines and thinking how magical a place it is.”
regardless of the genre a photographer specialises in, the next biggest motivator is to see one’s work published, for enjoyment by a wider audience. “My proudest moments to date have to be getting recognised for my work by top magazines and recently getting shortlisted in various competitions such as Outdoor photographer of the Year and scottish Landscape photographer of the Year,” David admits. “Although i didn’t get past the shortlist stage, i am still very proud of myself and my landscape photography.”
As with all photography genres, the definition of a quality image is variable. While we should all strive for technical excellence – focus, sharpness and exposure – all other aspects are subjective in terms of judging quality. David gives his verdict on what defines a great landscape shot. “the obvious elements like composition and light are always going to be a must for a successful landscape image, but in my personal opinion time is the most important investment you can make in getting successful photographs. scouting a location, knowing where the sun is going to set or rise – these are all elements that you are going to need to use to successfully capture a location.”
A common suggestion today is that landscape photography has lost its creative potential. However, as David’s work illustrates, a passion for the subject and an open-minded outlook reveals timeless beauty in any location. A fair conclusion is that devoted photographers such as David keep the spirit of the genre alive. “i will always back my ability as a photographer whether or not i get anywhere in competitions. i shoot for myself and i always will do.”
DP