Digital Photographer

Choose the right kit

Selecting the best kit for wildlife photograph­y can be tricky, but always opt for quality

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The market is awash with cameras, lenses and all manner of photograph­ic accessorie­s. And with new kit seemingly being launched daily, you could be forgiven for being confused as to what is the best gear for your style of wildlife photograph­y. Ultimately, there is no right or wrong answer when it comes to choosing your equipment. Much will depend on your photograph­ic style, your intended subjects, the budget you have available and, quite often, how much you can physically carry. But there are some general rules and principles that will help you make the right choice before you part with your hard-earned cash.

If money is no object and you can afford the latest top-of-the range camera body and lenses, all well and good. But it is useful to remember that the most expensive cameras do not necessaril­y generate the best image quality. Furthermor­e, ultimately, it is not the camera that takes the picture but the photograph­er; with wildlife insight and photograph­ic skill, you can take great wildlife images even with a modest budget.

To begin with, think carefully about what you want to photograph and where you will be doing it. If you are an adventurou­s globetrott­er, then your gear will have to take some punishment. From sub-zero temperatur­es to arid sandy deserts, your camera bodies and lenses need to cope with whatever these environmen­ts throw at them. Your choices will need to be as uncompromi­sing as the environmen­ts themselves. At the other extreme, if your photograph­y never sees you straying too far from home, taking snaps of garden birds and other wildlife, your equipment will not need to be so robust.

The difference between a pro-level camera body and those at the cheaper end of the scale may not be obvious immediatel­y.

But drop a camera and lens, or bash them around a few times, and the difference will soon become clear. Of course, protective and padded coatings will help mitigate damage. But if you are serious about wildlife photograph­y then sooner or later your equipment, as well as you, will get splattered with mud, be subjected to rain and freezing temperatur­es, or will get covered in dust. Wildlife photograph­y is not a pursuit for those of a delicate dispositio­n.

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