Digital Photographer

BE CREATIVE

understand some of the key influences and concepts behind these unique still life shots

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My still life work is influenced by the style of Old Master paintings from the 17th Century whose illuminati­ons I replicate through a very controlled low-key lighting. I keep it simple, although this doesn’t necessaril­y mean easy. Where a painter can set up a compositio­n and tailor the lighting as they desire, with photograph­y the lighting needs to be cast in exactly the right place to achieve the desired effect. Adjustment­s can be made in postproces­sing but I believe in getting it right incamera initially so that hardly any work in post is needed at all.

I mostly use flash studio lighting which means I have control over the light, rather than relying on available light which could differ throughout the day in colour temperatur­e and strength. I use flash lighting which allows fruit, flowers or other perishable items to stay fresher rather than under the hot lamps of continuous lighting.

I’d usually have plenty of props to accessoris­e a compositio­n, to tie in colour or to create the story, but in this project the vegetables speak for themselves, and as always sometimes less is more.

As a majority of the subjects in my own projects or commission­ed work tend to be around food I have many shelves stacked with props: jugs, cups, bottles, bowls and an array of utensils, tools and other curious objects. Occasional­ly the props become the subject. I have a penchant for bric-a-brac and love browsing the charity shops or flea markets to find little treasures that could inspire a whole shoot or be the perfect accessory to a shoot I already have in mind. It is always better to have enough props and multiples of your subject as possible. You just never know what might be needed and once in the middle of shooting it is not the time to realise you are missing something. The more preparatio­n time spent in advance the better, but it also pays to be flexible with your ideas, as some things just don’t work out exactly as planned. If you are working for a client then a test shoot is advisable before any promises are made if you are not entirely sure a concept will work.

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STILL LIFE IN YELLOW i like to expose beauty where none is normally noticed or recognised
Below STILL LIFE IN YELLOW i like to expose beauty where none is normally noticed or recognised
 ??  ?? Top and above THE GOURD i use a honeycomb grid to control the direction of the lighting. here, placing the gnarled nature of the gourd against the minimalist plank of old wood highlights the knobbly nature of its outer skin
Top and above THE GOURD i use a honeycomb grid to control the direction of the lighting. here, placing the gnarled nature of the gourd against the minimalist plank of old wood highlights the knobbly nature of its outer skin
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