Digital Photographer

10 STEPS TO PROFITABLE PHOTO WORKSHOPS

Discover how to offer your students a positive learning experience while maximising revenue

- VISIT COLIN’S WEBSITE AT colinjarvi­s.co.uk FOR DETAILS ON HIS UPCOMING WORKSHOPS TO THE ISLE OF SKYE, NORTHUMBER­LAND, NORTH WALES AND GLENCOE THIS AUTUMN/WINTER.

Find out how to run a photo workshop that has maximum benefits for both you and your students

Providing one-to-one photograph­y education to beginners is a very popular occupation and can be lucrative, even as a secondary source of revenue. However, this popularity makes the market a crowded place, with many photograph­ers jostling for position in online search rankings. From a potential client’s perspectiv­e, there are only so many ways that the same topics can be taught, so it is essential to offer something beyond the obvious, if you want to stand out. You must be prepared to provide everything from the fundamenta­l techniques to advanced insider knowledge, so as to ensure you are offering attendees exactly what they hoped they would learn. in a world where many techniques can be found for free in online resources, it is beneficial to create the impression of supporting your students beyond the end of the workshop, until they are confident enough to start applying your advice. your services must remain commercial­ly viable for your business, however. in this feature we discuss the key considerat­ions for making your workshops a cost-effective venture.

01 MARKETING AND ADVERTISIN­G

With so many photograph­ers trying to attract students to their workshops, it’s vital you let your customer base know you exist. Consider placing adverts in photograph­y magazines and regional publicatio­ns, to ensure you are accessing your target audience. regional sessions are a good place to start, as both you and your attendees have to travel less distance, with the perceived lower investment increasing initial enrolment.

02 CONSIDER TRAVEL

overseas workshops are very popular and often attract attendees from a wider area than regional events. however, you have to decide whether or not to include the cost of travel in your pricing. if you opt for this, remember to account for changes in travel costs from the range of departure points your students may be from.

03 USE WORKSHOPS AS A PLATFORM

to really increase the value of the workshops to your business, use them as a means of demonstrat­ing your skill as a photograph­er, tutor and business person. a workshop is a rare opportunit­y to be face to face with a larger group of clients, so drive revenue through alternativ­e channels by directing students to your other educationa­l resources and photograph­ic services.

04 BUILD A CONCISE ITINERARY

having a clear plan of the step-by-step structure of your workshop will not only provide students with a better experience and give them a good impression of you, but will help to make the most of your time. efficient time-keeping minimises costs at venues that charge you for your presence.

05 HOW MANY PLACES?

Decide how many students to accept on your workshop. While it may seem that more is better, be aware that larger groups are more complex to administer and more expensive to sustain. Many workshop leaders provide refreshmen­ts for their attendees and some offer camera equipment, which may be a financial drain long-term. small-scale and frequent sessions may be more profitable.

06 PROVIDE PRACTICAL AND THEORETICA­L ADVICE

to give students a memorable experience, provide tuition on general photograph­ic theory as well as location-specific advice. show them how to apply what you have taught them to the current shooting conditions and to all future photoshoot­s they may conduct. this increases the perceived value of the informatio­n covered.

07 MAKE INFO UNIVERSAL BETWEEN CAMERA SYSTEMS

Make sure you cater for all camera systems available today. Many photograph­ers use mirrorless systems or advanced compact cameras, so be current in the advice you provide, to offer a competitiv­e edge over other workshops.

08 BUILD RELATIONSH­IPS WITH VENUES

Depending on the type of photograph­y you are covering, you may find you need to pay for permission to run a commercial venture on private property. if you intend to run regular sessions, it may be economical to make arrangemen­ts with venue management. building a working relationsh­ip can lower costs, but also increase access and free movement on future workshops.

09 PACE YOUR CURRICULUM

Don’t cover too much in a single workshop. Unless you are running a general introducti­on to photograph­y basics, focus on the specifics of your topic and encourage attendees to come back for a follow-up session. this not only drives extra revenue, but frees up time to engage with students to answer questions on a one-to-one basis.

10 OFFER FOLLOW-UP SUPPORT AND CONTACT

Many workshops stop being an informatio­n resource at the end of the day. be unique and provide a means for students to access course materials after the event. Make a social area for photograph­ers to build a community and share and discuss informatio­n from the workshop. this adds longevity to the contact between yourself and your students, again adding value to their experience and stretching the window for you to encourage future use of your services.

 ?? ALL IMAGES © COLIN JARVIS ?? AboveICONI­C LOCATIONS While there are challenges regarding originalit­y at the more iconic sites, showing photograph­ers how to capture them from a unique perspectiv­e is a good sales point for your workshop
ALL IMAGES © COLIN JARVIS AboveICONI­C LOCATIONS While there are challenges regarding originalit­y at the more iconic sites, showing photograph­ers how to capture them from a unique perspectiv­e is a good sales point for your workshop
 ??  ?? Below HARTLAND QUAY Dawn and dusk shoots make multi-day events convenient. You mayhave to charge an administra­tion fee for arranging attendeeac­commodatio­n
Below HARTLAND QUAY Dawn and dusk shoots make multi-day events convenient. You mayhave to charge an administra­tion fee for arranging attendeeac­commodatio­n
 ??  ?? Above BAMBURGHWA­VESConside­r separating advanced techniques into their own separate workshop, encouragin­g attendees to take part in a follow-up session
Above BAMBURGHWA­VESConside­r separating advanced techniques into their own separate workshop, encouragin­g attendees to take part in a follow-up session
 ??  ?? Above right NEIST POINT ISLE OF SKYEan advantage of using more ‘generic’ locations is that they are not region-specific, potentiall­y attracting­greater interest
Above right NEIST POINT ISLE OF SKYEan advantage of using more ‘generic’ locations is that they are not region-specific, potentiall­y attracting­greater interest
 ??  ?? Right CHANGING CONDITIONS it is essential to have a detailed knowledge of changeable aspects of your location, such as tides and weather, for asafe workshop
Right CHANGING CONDITIONS it is essential to have a detailed knowledge of changeable aspects of your location, such as tides and weather, for asafe workshop
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