Digital Photographer

EXPOSE FOR SEAMLESS BACKGROUND­S

Overcome exposure issues caused by large areas of solid black or white in your images

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Overcome exposure issues with this step-by-step guide

Seamless black or white background­s are excellent for focusing the attention of your viewers onto the main subject of your images. By rendering the backdrop a solid shade, there are no distractin­g details, jostling for dominance. This type of background works equally well for portraits, still life shots and macro subjects, however the large expanse of bright or dark areas can confuse your camera’s metering system. A black seamless background will often trick a camera into overexposi­ng, since the system will perceive a low level of reflected light and therefore ‘assume’ ambient light levels are low. Conversely, a white backdrop may result in an underexpos­ed or even silhouette­d subject, due to misread brightness. To sidestep these common issues we can experiment with metering modes for more precise exposure measuremen­t, and recompose the frame to help the camera better assess the area of the scene that should be used as the exposure reference. Alternativ­ely, using the automatic metering system to estimate exposure, and then locking in these camera settings, will provide

1 ACTIVATE SPOT METERING Since Evaluative metering is too easily confused by the bright background in this shot, using Spot metering will assess exposure from a smaller area of the frame – the space occupied by the subject. greater control over localised brightness. Here we combine these methods for a precise workflow. Regarding background colour, it doesn’t matter if yours is black or white as the method is equally applicable, although you should expect inverse warnings at Step 6.

2 ZOOM IN Metering for solid background­s can be difficult due to the large area of the frame that they occupy. Zoom in to fill more of the frame with the subject, essentiall­y then forcing the camera to take a reading from those areas.

3 TAKE AN EXPOSURE READING Place the active AF point over your subject to take a test reading. Try to target the brightest part to ensure highlight detail is retained – to create a bright white background, use positive exposure compensati­on.

4 LOCK YOUR SETTINGS Once your exposure is centred, use the Auto Exposure Lock button or make a note of the suggested settings. Switch the camera to Manual and enter these values, which will no longer be changed by the camera.

5 SHOOT A TEST IMAGE Zoom back out and compose your image as required. Fire a test shot to assess the overall exposure, adjusting the shutter speed if necessary – aperture can be used, but here we want the depth of field constant.

6 CHECK LCD WARNINGS Avoid histograms for assessing exposure as you can expect to see clipping, due to the intentiona­l solid background­s. Use shadow/highlight alerts instead as these will show missing detail in your subject.

 ??  ?? AFTERCORRE­CTED BRIGHTNESS By better targeting the exposure of the main subject, its colour is maintained, while the solid background is rendered correctly and reliably from shot to shot
AFTERCORRE­CTED BRIGHTNESS By better targeting the exposure of the main subject, its colour is maintained, while the solid background is rendered correctly and reliably from shot to shot
 ??  ?? BEFOREInse­t MISJUDGED EXPOSUREdo­minates The bright white background the frame and the camera hasgrey, attempted to render it midtone resulting in ‘muddy’ underexpos­ure of the whole compositio­n
BEFOREInse­t MISJUDGED EXPOSUREdo­minates The bright white background the frame and the camera hasgrey, attempted to render it midtone resulting in ‘muddy’ underexpos­ure of the whole compositio­n
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