Digital Photographer

ENHANCE PERSPECTIV­E WITH LENSES

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Lenses do more than simply control how much you can include in a shot

Wide-angle lenses ‘stretch’ perspectiv­e so the elements in a scene appear further apart than they really are. Conversely, telephoto lenses ‘compress’ perspectiv­e so those elements appear to be closer together.

True? Well, yes and no. All lenses actually record perspectiv­e in exactly the same way when used from the same position.

It’s only when you change the focal length of the lens and the position of the camera that perspectiv­e changes. The easiest way to prove this is to shoot a scene with both wide-angle and telephoto lenses from exactly the same position. The two photograph­s will obviously look different, because the wide-angle shot contains far more than the telephoto shot, but if you crop an area from the wide-angle shot that covers the same area covered by the telephoto shot, you’ll see that perspectiv­e is identical in both.

To change perspectiv­e, you not only have to change lenses, but also change camera position so that a key element appears the same size in both pictures. Let’s say you’re photograph­ing a person standing in front of a building. First take a shot with a wide-angle lens so the person is just about the full height of the frame. You’ll see that perspectiv­e appears to have been stretched, with the building much further away than it really is. Next, switch to a telephoto lens and back off until the person is the same size in the frame as they were in the previous shot. Now you’ll see that perspectiv­e has been compressed and the building appears much closer to the person than it really is.

As you’ll see later in this feature when we explore different types of perspectiv­e, wideangle lenses are ideal for creating dynamic, 3D compositio­ns. They enable you to really exaggerate scale and add a powerful sense of depth to your images. The wider the lens is (shorter focal length) the more pronounced the ‘stretching’ effect is. Crawl up to a snail in your garden with a 15mm lens and it will look bigger than your house!

On the other hand, telephoto lenses flatten perspectiv­e so everything appears to be closer together. The longer the focal length, the more pronounced this ‘foreshoret­ening’ is. It can be used to create detailed, frame-filling compositio­ns that have energy and impact – especially in the urban environmen­t where the crowding effect on buildings looks amazing.

 ??  ?? Far rightCITY STREETS here perspectiv­e has been compressed using a telephoto. A strong sense of depth has been achieved by the tram lines that carry the eye through the scene
Far rightCITY STREETS here perspectiv­e has been compressed using a telephoto. A strong sense of depth has been achieved by the tram lines that carry the eye through the scene
 ??  ?? Above top16MM FISHEYE Fisheye lenses create wacky perspectiv­e due to their monstrous angle of view and extreme distortion – but the results can be fantastic
Above top16MM FISHEYE Fisheye lenses create wacky perspectiv­e due to their monstrous angle of view and extreme distortion – but the results can be fantastic
 ??  ?? Above FRAMING This fisherman was framed by shooting through his own conical net using a 16-35mm zoom at 16mm. This has produced dramatic perspectiv­e RightGRAPH­IC DESIGN use a long telephoto or telezoom lens to isolate elements in a scene, and utilise perspectiv­e compressio­n to juxtapose them with other elements
Above FRAMING This fisherman was framed by shooting through his own conical net using a 16-35mm zoom at 16mm. This has produced dramatic perspectiv­e RightGRAPH­IC DESIGN use a long telephoto or telezoom lens to isolate elements in a scene, and utilise perspectiv­e compressio­n to juxtapose them with other elements

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