Digital Photographer

TOKINA AT-X 1120MM F2.8 PRO DX

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A reworking of one of the world’s first ultra-wide zooms for APS-C cameras, this Tokina gains extra focal length

Available for Canon and Nikon APS-C format SLRs, the Tokina 11-16mm f2.8 was originally launched back in 2008. It gained popularity thanks to a combinatio­n of good build quality and performanc­e at a reasonable price. A Mk II edition followed, with new coatings and the addition of an internal autofocus motor in the Nikon-mount version, enabling autofocus with D40, D3XXX and D5XXX series SLRs.

The newer 11-20mm lens was announced in 2015 and, while its maximum viewing angle still falls short of competing 10-20mm and 10-24mm lenses, it does at least give a more generous maximum focal length.

The attraction of a fast and constant f2.8 aperture is carried over to the newer lens, as is the somewhat basic autofocus system. It’s reasonably quiet for an electric motordrive­n rather than ultrasonic system, but still noisier than in the competing lenses on test. Tokina’s trademark ‘One-touch Focus Clutch Mechanism’ is also retained, enabling you to switch between autofocus and manual focus simply by snapping the focus ring forward or backward respective­ly. A little care is needed not to nudge it back or forth accidental­ly, and some may find the arrangemen­t less convenient than the full-time manual override facility available in the other lenses on test.

A new optical path includes three aspherical elements and three SD (Superlow Dispersion) elements. Image quality is good on the whole but autofocus accuracy proved a little inconsiste­nt in our tests. When correctly focused, images are still a little soft at f2.8, but reasonably sharp at apertures of between f4 to f11. Colour fringing and distortion­s are fairly well controlled, resulting in good overall performanc­e.

 ??  ?? RightA tough customer Left 11mm, f8
RightA tough customer Left 11mm, f8

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