Digital Photographer

CUSTOMISE COLOUR REPRODUCTI­ON

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Shoot images with true-to-life colour

Learn how to create a custom white balance preset in-camera and shoot images with accurate, true-to-life colour

One of the biggest advantages offered by digital photograph­y is the ability to adapt the camera to changeable lighting. In analogue days, should the colour balance of the ambient light change, the film type would have to be swapped to compensate, wasting the remaining frames. In the majority of cases, a white balance preset can be chosen from the camera menu, which will quickly adjust the colour bias to prevent strong casts. However, these presets are designed to cater for average lighting under usual conditions, and hence may lack absolute accuracy.

Therefore, in order to produce the most print-ready file possible, a custom white balance can be created for the current shooting environmen­t. This is especially useful when shooting in JPEG format, when there is a requiremen­t for large buffer capacity for example, since colour cannot be altered non-destructiv­ely, unlike with RAW files.

Using a standard white balance target, which is usually white or 18% grey, the camera is able to calculate a colour temperatur­e that best represents the hues present in the scene, tailoring reproducti­on to the lighting that exists on a real-time basis. This improves colour fidelity, which can make a big difference when attempting to render natural tones in outdoor, interior or studio settings alike.

1 USE A WHITE BALANCE PRESET

It is always useful to try implementi­ng a preset white balance (WB), especially in new environmen­ts, to see if any are appropriat­e without customisat­ion. This may be possible under simple lighting.

2 SHOOT A REFERENCE TARGET

In mixed or studio lighting, where colour bias is obvious, hold a WB target so that it fills the frame and shoot using any preset. Prevent strong lighting falling on the target to avoid overexposu­re.

3 SELECT AN IMAGE

Enter the menu, navigate to the WB options and choose an image containing the target from which the camera can derive a reference colour balance. Choose the image that best represents light intensity.

4 CHOOSE CUSTOM PRESET

Once your custom WB has been defined and saved, use the command dial to select that preset name from the WB options. Be sure to choose the preset you just made, to guarantee colour accuracy.

5 SHOOT A TEST IMAGE

Now take a test shot to see if you are happy with the colour balance suggested. If there is an obvious bias, try reshooting the target, ensuring it fills the frame and is evenly lit.

6 FINE-TUNE TINT

For small colour shifts, further customise the colour balance using the fine-tune screen, if your camera model has this functional­ity. Make small tweaks and shoot another test.

 ??  ?? Inset UNNATURAL CAST While the overall range of tones is pleasing, there is an artificial warm cast present.
A cooler preset WB like Fluorescen­t rendered the window area overly blue
Inset UNNATURAL CAST While the overall range of tones is pleasing, there is an artificial warm cast present. A cooler preset WB like Fluorescen­t rendered the window area overly blue
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BEFORE
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CUSTOMISED BALANCE IN REAL-ESTATE PHOTOGRAPH­Y, TRUETO-LIFE COLOURS ARE ESSENTIAL FOR BROCHURES AND SO ON. A CUSTOM WB PRESET PROVIDES BETTER COLOUR PRECISION THAN A STANDARD SETTING
AFTER CUSTOMISED BALANCE IN REAL-ESTATE PHOTOGRAPH­Y, TRUETO-LIFE COLOURS ARE ESSENTIAL FOR BROCHURES AND SO ON. A CUSTOM WB PRESET PROVIDES BETTER COLOUR PRECISION THAN A STANDARD SETTING
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