Matthew Maran Panasonic LUMIX S1
Why the wildlife pro recently switched to Panasonic’s full-frame mirrorless model
Most of my early photographic career was spent abroad in exotic locations, shooting primates in Malaysia, bears in Alaska and whales off of Vancouver Island. Now my work focuses on projects closer to home in London. My shooting process requires plenty of time and persistence, and I really enjoy getting to know a place or animal and try to shoot in a fresh way to always challenge myself. I am highly critical of my own work, asking myself, “Does this show interesting behaviour? Can I improve the composition?” What’s the story in the picture?”
I had the opportunity earlier this year to test out the Panasonic Lumix S1, and I’m really impressed with the build, performance and resulting image quality. It’s no surprise that many photographers are turning to this system, and the Lumix is now delivering the quality I need.
I’ve been a DSLR Canon user for 20 years, so the transition to mirrorless hasn’t happened for me overnight. I now use both Canon and Lumix camera bodies. I use a 16‑35mm, 24‑105mm, 100mm macro, 70‑200mm and 300mm prime lenses and Speedlight flashguns. I like to get as close as I can, with a wide angle to show the animal in its environment. This sometimes means using a remote trigger (PocketWizards) as well as several flashguns.