Digital Photographer

GO PRO ON A BUDGET

Engage, upload and share your way to a larger audience on the visual social community

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SECOND-HAND AND RENTING

Photograph­er Dave Kai Piper (WWW.

DAVEKAIPIP­ER.COM) is a portrait and fashion photograph­er, and has some useful advice when it comes to setting up your business on a budget. “To be a photograph­er, you need a camera, lens, possibly an external light source and a phone,” he advises. “Let your income dictate the purchase of gear, not your lust for new things. Marketing firms and influencer­s will do their best to tell you to need the latest stuff. It’s a total lie, don’t believe the hype!”

When it comes to buying gear, remember that you don’t need to buy new. There are many great second-hand outlets online, such as MPB (MPB.COM), Park Cameras

(PARKCAMERA­S.COM), Wex (WEXPHOTOVI­DEO.

COM), and Ffordes (WWW.FFORDES.COM) just to name a few. These websites are legitimate companies that thoroughly check the kit as it comes in, and offer a guarantee. However, note that this may not apply to every product, so check before purchasing.

When buying lenses, tripods, accessorie­s and lighting kit, second-hand is the way to go if you want to save money. Camera bodies are a little riskier in the second-hand market, but neverthele­ss you can get some good deals if you shop around. Make sure you look at the shutter count of the camera body you intend to purchase to give you a good indication of the life left in it. Many profession­al camera bodies should last to 200,000 clicks or over. You can also trade in your old gear, which may get you a few extra quid – every little helps!

Dave also makes a good point about renting gear. “If you find you need a certain item, rent it unless you are using it every day.” Although more advanced photograph­y gear can still be pricey to borrow in the short term, this is a better solution than buying it (even second-hand). Hire A Camera (WWW.

HIREACAMER­A.COM) has a great range of products and can be borrowed from a day rate up to a two-week period.

TAKE SOME RISK

It takes guts to put money into your business (especially if you’re uncertain of the outcome), but self-belief is a good philosophy to keep in mind. While we don’t advise you to borrow massive amounts of money you can’t repay, sometimes you have to take a bit of a risk to get somewhere, like photograph­er Suzanne Porter (SUZANNEPOR­TER.COM). “I’ve always had a tendency to just go for it and deal with the consequenc­es, and manage to convince myself what I want is worth the money – that new iMac or the latest upgrade for the Canon 5D… Hence a number of my projects have left me in debt! But that is also what drives me. If I’ve overspent on expensive items, then I damn well have to go out and get the work.”

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 ?? © DAVE KAI PIPER ?? NATURAL LIGHT
Dave doesn’t need lots of expensive kit to make a shot like this work. This image of
Mai Watanabe was created by balancing strobe lighting with the sun. Here Dave used strobes to fill in shadows and enhance highlights – with the natural light doing most of the work
© DAVE KAI PIPER NATURAL LIGHT Dave doesn’t need lots of expensive kit to make a shot like this work. This image of Mai Watanabe was created by balancing strobe lighting with the sun. Here Dave used strobes to fill in shadows and enhance highlights – with the natural light doing most of the work
 ?? © IAN PACK ?? SOFT GLOW
A simple trick like pegging a translucen­t orange material over the main light source creates a warm orange glow
© IAN PACK SOFT GLOW A simple trick like pegging a translucen­t orange material over the main light source creates a warm orange glow
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