Digital Photographer

SURREAL MIRROR PORTRAITS

Louise Carey reveals how to create abstract reflection­s and utilise exposure compensati­on for a moody look in your urban portraitur­e

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Create abstract reflection­s for a unique look in your urban portraitur­e

Adding a new flavour to portraitur­e can be hard to do when so many techniques have been extensivel­y tried and tested already. However, by using a handheld mirror, a standard lens, and a striking architectu­ral backdrop, you can create a surreal reflection that looks as if your subject is walking on water.

Finding the right background is essential for this project. Avoid busy street scenes, as they will distract from the main subject. Search for backdrops with graphic lines that can frame your model. Reflecting these lines with a mirror will add an extra dimension to your photo.

While many portrait techniques demand a telephoto focal length, this project requires a full-body view of the subject. Use a standard focal length, such as 50mm, but try not to go much wider than 35mm, as wide-angle lenses can cause barrel distortion on straight architectu­ral lines.

It’s worth rememberin­g that a wide aperture will blur out the form of the mirror itself, but the reflection it shows will be on the same focal plane as your scene, so it won’t be blurred out in the same way as the mirror. This will produce an ethereal, surreal effect. Here’s what you need to do…

1 GET THE RIGHT PROPS

A small mirror is perfect for this. Look for mirrors that will comfortabl­y accommodat­e the width of your lens glass and have a lip that won’t produce unsightly lines in your shot.

2 USE A STANDARD LENS

Any focal length between 35mm and 50mm will work well here, so an 18-55mm kit lens will be fine. However, a 50mm f/1.8 will work particular­ly well for this technique.

3 SET UP YOUR COMPOSITIO­N

Place your subject against a background with clean architectu­ral lines. For the best results, try to find a quiet spot so that you can avoid having any other people in your shot.

4 USE APERTURE PRIORITY

Aperture Priority enables you to have all of the control of Manual mode without having to worry about accidental­ly having the wrong exposure if the light changes. Select it now.

5 CHOOSE YOUR SETTINGS

Select a wide aperture, such as f/1.8, and ensure your shutter speed remains above 1/125sec by adjusting your ISO accordingl­y. Use Singlepoin­t AF, and focus on your subject’s face.

6 USE YOUR MIRROR

Place the mirror under your lens so that you can see it in the bottom half of your frame, and angle it until you achieve the desired result. This might be tricky at first, but practice makes perfect.

7 AS CERTAIN TAKE A TEST SHOT

Take a test shot to whether your compositio­n is as powerful as possible and your settings are correct. Zoom in on your subject to ensure that they’re sharp and in focus.

8 USE EXPOSURE COMPENSATI­ON

If you want to add some moody punch to your image, dial your exposure compensati­on down by between 1/3rd of a stop and one full stop. This will darken the shot and give it an extra edge.

 ??  ?? BEFORE Above
Distractin­g details THIS IS A FAIRLY ORDINARY PORTRAIT THAT LACKS AN EXTRA ‘WOW’ FACTOR. IN ADDITION, THE TARMAC PATH AND GRASS DISTRACT ATTENTION AWAY FROM THE MODEL AND
THE INTERESTIN­G ARCHITECTU­RE
BEFORE Above Distractin­g details THIS IS A FAIRLY ORDINARY PORTRAIT THAT LACKS AN EXTRA ‘WOW’ FACTOR. IN ADDITION, THE TARMAC PATH AND GRASS DISTRACT ATTENTION AWAY FROM THE MODEL AND THE INTERESTIN­G ARCHITECTU­RE
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SURREAL AND ENGAGING THE PATH AND GRASS HAVE
BEEN HIDDEN BY THE REFLECTION FROM THE MIRROR, WHICH ALSO ADDS EXTRA INTEREST TO THE PHOTO WITHOUT DISTRACTIN­G FROM
THE MAIN SUBJECT
AFTER SURREAL AND ENGAGING THE PATH AND GRASS HAVE BEEN HIDDEN BY THE REFLECTION FROM THE MIRROR, WHICH ALSO ADDS EXTRA INTEREST TO THE PHOTO WITHOUT DISTRACTIN­G FROM THE MAIN SUBJECT
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