Digital Photographer

Discover how to price your photograph­y services to achieve maximum client interest and sustainabl­e turnover in a challengin­g time

Discover how to price your photograph­y services to achieve maximum footfall and sustainabl­e turnover in a challengin­g time

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Pricing your work has to be the most tricky aspect of running a photograph­y business. While you are clearly generating a product with your images, it can be difficult to define exactly what you should be charging, and how to value the effort you put in. This is because we often think of taking photos for a living as an extension of our hobby, and can feel privileged to be able to earn from our passion. This can lead to us undervalui­ng our skills, which is made all the more difficult by many clients failing to recognise how much work goes into profession­ally shooting and editing images from a commission.

To ensure that your business is profitable and sustainabl­e, you first need to understand what your main goals are, and how time plays a part in the efficiency of your working day. Here we’ll look at some key things to consider when setting your prices right.

UNDERSTAND YOUR OVERHEADS

Creative media, particular­ly in the digital realm, can be difficult to assign a cost to.

This is because a lot of the work is done at a laptop and via online intermedia­ries. There are many ‘hidden’ costs or investment­s that we often forget about, and importantl­y, digital processes are not always free. While selling digital files from a website is definitely a cheaper operation, leaving you free from printing costs, there are still expenses involved. Notably, a website-hosting platform often requires a yearly fee, or a significan­t one-off outlay for a profession­al web designer to create. Then you have electricit­y bills to consider, which can quickly mount up if you are running multiple computers, on which you spend the majority of your working day.

Understand the unique pressures a digital workflow has on your finances, and factor these into your pricing structure. If you don’t, your profits will be significan­tly impacted.

TIME IS MONEY

Another tricky aspect to value is the time we spend on a job. In the first months of starting a business it can be tempting to take on any and all jobs, but if you end up spending ten hours on a commission that is only paying £100 then you are earning significan­tly less than minimum wage, by the time you consider business costs.

Every minute you are working you are also incurring costs, so you need to ensure that each unit of work you carry out yields a profit. An hour spent editing a photo because ‘you may as well’ is not efficient if you could have completed an entire separate job in that time. Charge by the hour, not by print, to ensure that you are paid for your time.

REPEAT BUSINESS

Sometimes you should price your services based on the likelihood of earning future revenue from the same clients and/or the same assignment. If you’re shooting a wedding, and the customer only wants a flash drive of digital copies, then remember that this may limit the possibilit­y of them returning to you for additional prints. While you don’t have print costs, you miss out on print sales, so buffer this loss with your hourly rate. It may then be worth offering a discount if they return to you for prints.

MAKE IT MODULAR

Running a photo business can be expensive, but you don’t need to outprice yourself. Upselling from a baseline package with optional extra services can be a good way to encourage clients to pay for higher value products. Start with two or three ‘levels’ of service, defined by the number of images, hours spent shooting, etc. Then offer add-ons, such as special editing effects, photobook and canvas prints, premium album assembly, video shooting on the day, or even a second photograph­er. Bundling these into packages can effectivel­y persuade people to save money by paying a higher fee on the date of booking, rather than buying these at a premium later. If it works for budget airlines it can work for you!

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PHOTOGRAPH­IC TECHNIQUES ARE ONLY HALF THE STORY BEHIND A SUCCESSFUL BUSINESS. LEARN TO CORRECTLY PRICE
YOUR SERVICES FOR A SUSTAINABL­E OPERATION
© DAWN BOWERY SHOOT FOR PROFIT PHOTOGRAPH­IC TECHNIQUES ARE ONLY HALF THE STORY BEHIND A SUCCESSFUL BUSINESS. LEARN TO CORRECTLY PRICE YOUR SERVICES FOR A SUSTAINABL­E OPERATION
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SET PARAMETERS
It’s easy for clients to keep asking for time-consuming editing changes and reshoots. Ensure you are clear with customers about what is included in your pricing
Above SET PARAMETERS It’s easy for clients to keep asking for time-consuming editing changes and reshoots. Ensure you are clear with customers about what is included in your pricing
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Things can go wrong – shoots might have to be reschedule­d, equipment repaired. Be certain to price a shoot with a little room to prevent losing money
Bottom left BUFFER LOSSES Things can go wrong – shoots might have to be reschedule­d, equipment repaired. Be certain to price a shoot with a little room to prevent losing money
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REMEMBER COSTS
Studio equipment is a fixed cost, but factor in shoot-specific overheads, including location hiring, assistant fees and models. For larger shoots only give an estimate initially
Below REMEMBER COSTS Studio equipment is a fixed cost, but factor in shoot-specific overheads, including location hiring, assistant fees and models. For larger shoots only give an estimate initially

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