Digital Photographer

12 STORY BEHIND THE STILL

Eric Mwazo shares an eye-catching portrait

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PHOTOGRAPH­ER’S NAME: Eric Mwazo WEBSITE: www.behance.net/mwazo IMAGE LOCATION: Nairobi

TYPE OF COMMISSION: Personal SHOT DETAILS: Nikon D7000, 80-200mm, f/8, 1/200s, ISO 125

ABOUT THE SHOT: This image was captured at my home studio in Nairobi, in April 2020. It was still a work in progress and I had just acquired the black velvet background that fit into my concept. The model has rich dark skin tones and a few months after first working with her in a different project I wanted to create an artistic concept around that. Out of all the complex ideas I had in mind I ended up settling for the considerab­ly basic one, which was contrast of both colour and luminance. I felt the bright orange colours of the nails and make up would contrast well with the dark tones of her skin, and complement each other in the process. I wanted to come up with a theme that was aesthetica­lly pleasing and attention grabbing even when viewed as a thumbnail on a web page. To add to the colours and luminance, the model’s pose would have to be striking. We did try a few that looked okay, but this was my favourite!

I am a big fan of Photoshop, especially when it comes to evening out skin tones.

For this image the post-production entailed a bit of skin retouching, evening of tones and lastly darkening her skin further and brightenin­g the neon orange to enhance the contrast between the two. There may have been a touch-up on the hair as well.

The pre-production took away most of the potential challenges that would have been experience­d during the shoot. The battle I had was in the selection of the size of the main light modifier that would bring out the image as I saw it in my head. I tested out smaller beauty dishes and larger soft boxes, before settling for the 105cm foldable beauty dish with diffusion material for a soft look.

 ??  ?? Pictured EYE-CATCHING
CONTRAST
By pre-visualisin­g the
shot, Eric identified the aesthetic aspects he needed to focus on and the best lighting structure for the look
Pictured EYE-CATCHING CONTRAST By pre-visualisin­g the shot, Eric identified the aesthetic aspects he needed to focus on and the best lighting structure for the look

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