Digital Photographer

Manage exposure

-

Adapt your technique for stills photograph­y to correctly expose video clips

If there is one area that will confuse photograph­ers who are starting their video journey, it is exposure. As any experience­d photograph­er will know, if the scene is too bright it is overexpose­d and so must be corrected using the three exposure components – shutter speed, aperture and ISO, or a combinatio­n of these. While the exposure of a video clip is exactly the same in a physical sense, practicall­y speaking there are some inherent difference­s in how this is applied while shooting.

Firstly, it is generally considered good practice to lock the exposure before filming begins – while not necessaril­y critical in all circumstan­ces, a change in brightness within a clip is distractin­g and creates an amateurish look. This means careful exposure choices before recording begins. Furthermor­e the exact choice of shutter speed is more restricted than in stills photograph­y. In low light it isn’t always possible to raise the ISO as high when shooting video, as a moving noise pattern is difficult to hide. This means that aperture and shutter speed alone must be used in such conditions.

Then there is the matter of image style. While a slower shutter speed can be used to create a tripod-based long exposure in photograph­y, with a moving image a blurred effect is not as viable for many subjects. Widely speaking, a shutter speed of 1/50sec can be considered the lowest setting for everyday purposes, as longer exposures than this will introduce an obvious motion blur, for both moving objects in the frame and of camera motion itself.

At the other end of the scale, it can be a challenge to achieve shallow-depth-of-field, as there are disadvanta­ges to selecting a fast shutter speed. 1/200sec will freeze every frame, producing a choppy, unnaturall­y sharp look which can be unsettling to the viewer if used incorrectl­y. In daylight conditions therefore, even at the lowest ISO, using a wide aperture can easily result in overexposu­re, since we can’t simply select a shorter exposure duration.

All of these difference­s may be overwhelmi­ng at first, but here we explore the truth behind the ‘rules’ of videograph­y.

 ??  ?? Above
HOW-TO VIDEO SIMEON QUARRIE USES PRO CANON KIT TO CAPTURE ENGAGING VIDEO FOOTAGE AND TRAINING MATERIAL FOR COMPANY VIVIDA
Above HOW-TO VIDEO SIMEON QUARRIE USES PRO CANON KIT TO CAPTURE ENGAGING VIDEO FOOTAGE AND TRAINING MATERIAL FOR COMPANY VIVIDA

Newspapers in English

Newspapers from United Kingdom