Digital Photographer

PLAY WITH FOCUS

Experiment with differenti­al focusing methods to make the most of abstract colour and light

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As we’ve discussed previously, macro photograph­y can become a somewhat routine process, whereby we stick rigidly to a style of shooting, to produce formulaic images. Perhaps it is because of the associatio­n with scientific photograph­y that we tend to become preoccupie­d with technical perfection when shooting macro images, seeking tack sharp detail in every frame. This is certainly a useful skill to have, since accidental out-offocus images are impossible to cover up in close-up photograph­y, but there are many more artistic possibilit­ies to explore beyond this.

Focus can be manipulate­d to convey depth in the subject’s environmen­t. When combined with careful arrangemen­t of the compositio­n, it is possible to create images which pop with fields of colour in multiple distance planes from the camera. Using a shallow depth of field we can diffuse both foreground and background details, to create attractive negative space. We can also use this technique to introduce impactful, but undistract­ing natural frames, using foliage or other environmen­tal elements, close to the camera position.

Venturing even further into the unusual, why not remove sharpness altogether? Go against the grain and blur all sharp detail to produce abstract images. There is something incredibly satisfying about defying convention in this way and using the core elements of photograph­y to produce a unique style. Either use a slower shutter speed outside, incorporat­ing wind blur instead of trying to beat it, or intentiona­lly defocus the scene to turn the image into creative blobs of colour and light.

The key is to observe the environmen­t first to discover the best combinatio­n of subject and background. If the colour of an object is all that will remain, it needs to fit with its surroundin­gs. Look for contrastin­g colours to introduce harmony and adjust your compositio­n to optimally align all areas of the scene.

One thing to be aware of however is image noise. This is a technical aspect that can be easily forgotten. When blurring large areas of your image, you are flattening out detail, making image grain more visible. At higher ISOs in particular, graininess in out-of-focus areas can become a problem, so zoom in and check as you shoot.

 ?? © SALEHEH SOLEIMANI ?? Pictured
ULTRA SHALLOW SHOOTING AT MAXIMUM APERTURE GREATLY LIMITS DOF IN MACRO PHOTOGRAPH­Y. THIS CAN BE USED TO CREATIVE EFFECT, ESPECIALLY WHERE THE SUBJECT ALSO HAS MINIMAL DEPTH – HERE EXTREME FALL-OFF IN FOCUS IS ATTRACTIVE
© SALEHEH SOLEIMANI Pictured ULTRA SHALLOW SHOOTING AT MAXIMUM APERTURE GREATLY LIMITS DOF IN MACRO PHOTOGRAPH­Y. THIS CAN BE USED TO CREATIVE EFFECT, ESPECIALLY WHERE THE SUBJECT ALSO HAS MINIMAL DEPTH – HERE EXTREME FALL-OFF IN FOCUS IS ATTRACTIVE
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