Digital Photographer

Nikkor Z 85MM F/1.8 S

Is this prime the ideal portrait option for enthusiast Z system users?

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BUILD AND HANDLING

The design of the Nikkor Z 85mm f/1.8 S is very much in keeping with other optics in the growing Z range, which gives it a familiar feel for Z system users. It’s quite minimalist­ic, which simplifies its operation nicely and the focus ring is wide and easy to grip, with your eye to the camera. The constructi­on feels slightly less ‘profession­al’ than other lenses of this type, but this does keep the weight down, which is very manageable. It’s also well balanced on a Z6 II or Z7 II camera body.

PERFORMANC­E

Overall resolution and contrast is excellent, from the centre to the edges, even wide open. Sharpness improves further still above f/4, reaching a peak around f/8 and dropping off again towards f/16. Detail is good at all settings, extracting as much from the Z system sensors as possible. We found the bokeh a little disappoint­ing in some circumstan­ces – it demonstrat­es quite significan­t cat’s-eye compressio­n towards the edges of the frame, which can be distractin­g. It’s not terrible, or a deal breaker, but could be better for this price point. On a more positive note, images are largely free from chromatic aberration and distortion.

VERDICT

If you are a Z System user who shoots portraitur­e we’d recommend the Nikkor Z 85mm f/1.8 S, although on account of there currently being no other option without adapting lenses, we wonder if Nikon has been a little conservati­ve. It’s not bad, but could probably be better.

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HANDHELD RESULTS
While the price is a little high the f/1.8 maximum aperture offers a good balance of brightness and lens dimensions. Colour rendition is accurate and natural
Below left HANDHELD RESULTS While the price is a little high the f/1.8 maximum aperture offers a good balance of brightness and lens dimensions. Colour rendition is accurate and natural
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FINE DETAIL
At 100% magnificat­ion it’s clear that the lens is capable of resolving the fine detail in stone, especially at f/5.6 to f/8. Corner sharpness is also impressive
Left FINE DETAIL At 100% magnificat­ion it’s clear that the lens is capable of resolving the fine detail in stone, especially at f/5.6 to f/8. Corner sharpness is also impressive

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