Digital Photographer

PERFECT YOUR COMPOSITIO­N

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Learn to capture the cleanest, most dramatic perspectiv­es in the busy city environmen­t

By their very nature cities are hard things to photograph. The majority of scenes are built up along a vertical axis, since buildings are often taller than they are wide. Where they are short but wide you then have lots of negative space between them, which can leave photograph­ic compositio­ns feeling unbalanced. If you attempt to pitch the camera up or down you risk introducin­g converging verticals, while adjusting the yaw of the lens position will enhance lateral perspectiv­e. This creates strong leading lines which, without care, can drag the viewer’s eye out of the shot prematurel­y.

Meanwhile, simply rotating the orientatio­n of the camera into portrait format, for tall subjects, can remove any sense of height or direction, producing a flat shot with no identifiab­le starting or ending point.

It’s apparent that, with cityscapes and city life studies, it’s important to adjust the compositio­n on a scene-by-scene basis. No two urban environmen­ts are the same, even though the architectu­re may appear similar. The layout of the street impacts how many obstructio­ns there are between the camera and the subject, so this must be assessed before shooting begins. Then it is a matter of exploring the scene fully, to examine how all of the components work together.

This may sound like a simple process, but it is more than a case of shooting many images from different angles. As the photograph­er you have to understand what you are looking for, being able to identify when a compositio­n is working well and when the frame is too busy, or has a detail imbalance. If you are being experiment­al with exposure, creating silhouette­s for example, you have to be aware of overlaps between building structures, which will distort the outline. In such cases a change in focal length would be required to create separation.

The technical considerat­ions can be intimidati­ng, even for experience­d photograph­ers, but sometimes cityscape compositio­n can benefit from simpler adjustment. The key to the perfect frame might be a slightly wider focal length, to incorporat­e some foreground vegetation, or to use another building as a natural frame. Just remember that ‘different’ will always hold the viewer’s gaze for longer.

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FRAMES AND FOREGROUND­S
Take a wider view and capture city landmarks in the context of their surroundin­gs. Offer the viewer a glimpse of what it is like to approach a structure or famous spot
Right FRAMES AND FOREGROUND­S Take a wider view and capture city landmarks in the context of their surroundin­gs. Offer the viewer a glimpse of what it is like to approach a structure or famous spot
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