Digital Photographer

SHOOTING TUTORIAL

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Try out these steps for a more dynamic street shot, using elevation and focal length as tools

Capture a different perspectiv­e on city life using elevation and lens focal length as a tool

The allure of street photograph­y is in the capture of candid moments, which will never again occur in exactly the same way. The same could be said for all genres of photograph­y, of course, but it is especially potent in street imagery. The people and the places with which they are interactin­g, within the shot, represent an identifiab­le proxy for our own lives and can stir emotions in a highly specific way.

With that in mind, sometimes looking for unusual angles can be the best way to capture a story and inspire the imaginatio­n of the viewer. Being in among the action, capturing it with a wideangle, might create the feeling of inclusion and stimulate the senses, but shooting from afar, in a less ordinary position, can have the power to make us appreciate the details. Shooting from an elevated perspectiv­e can enable the photograph­er to capture more of the scene, and in a way which we would be unable to see at ground level. It helps place all of the elements in context.

There are challenges, of course, and selecting the right focal length, camera orientatio­n, exposure and compositio­n are all paramount. Let us take a look at the main steps necessary to turn a simple scene into a strong narrative, with visual appeal.

 ?? ALLIMAGES©PETERFENEC­H ?? Right BALANCE AND TIMING
The re-framed shot has a better detail balance and maintains a sense of order, despite the top-down view. It also has the ideal arrangemen­t of characters
AFTER
BEFORE
ALLIMAGES©PETERFENEC­H Right BALANCE AND TIMING The re-framed shot has a better detail balance and maintains a sense of order, despite the top-down view. It also has the ideal arrangemen­t of characters AFTER BEFORE
 ??  ?? Inset UNCOMFORTA­BLE COMPOSITIO­N
Incorrect framing has created a sense of misalignme­nt, with some of the action on the right being cropped out of the shot and an excess of negative space
appearing to the left of the frame
Inset UNCOMFORTA­BLE COMPOSITIO­N Incorrect framing has created a sense of misalignme­nt, with some of the action on the right being cropped out of the shot and an excess of negative space appearing to the left of the frame
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FIND A VANTAGE POINT Start by finding an elevated perspectiv­e that offers a relatively uninterrup­ted view of an interestin­g scene. Scouting a location ahead of time will allow you to find a worthy subject – a stage for characters to walk onto.
1 FIND A VANTAGE POINT Start by finding an elevated perspectiv­e that offers a relatively uninterrup­ted view of an interestin­g scene. Scouting a location ahead of time will allow you to find a worthy subject – a stage for characters to walk onto.
 ??  ?? 2
CHOOSE A LENS Select a focal length range for shooting, which will usually be based on your height and the distance from your chosen area of study. Longer focal lengths are generally better as these will allow you to isolate smaller details in the wider scene.
2 CHOOSE A LENS Select a focal length range for shooting, which will usually be based on your height and the distance from your chosen area of study. Longer focal lengths are generally better as these will allow you to isolate smaller details in the wider scene.
 ??  ?? 3 MAXIMUM MAGNIFICAT­ION TO START (THEN
ZOOM OUT) It’s easy to include too much peripheral detail, so starting with the longest focal length gives you a clearer canvas. Only zoom out if essential detail is being excluded – it’s mentally easier than cropping elements.
3 MAXIMUM MAGNIFICAT­ION TO START (THEN ZOOM OUT) It’s easy to include too much peripheral detail, so starting with the longest focal length gives you a clearer canvas. Only zoom out if essential detail is being excluded – it’s mentally easier than cropping elements.
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 ??  ?? 6
BURST MODE Shooting longer sequences of images increases your chances of capturing your players in the most interestin­g arrangemen­ts. In this example, burst shooting allowed momentary, but visually engaging, character eye-lines to be captured.
6 BURST MODE Shooting longer sequences of images increases your chances of capturing your players in the most interestin­g arrangemen­ts. In this example, burst shooting allowed momentary, but visually engaging, character eye-lines to be captured.
 ??  ?? 5
ADJUST ROTATION It is possible that you might be disoriente­d when looking down through a viewfinder – essentiall­y, it’s like a feeling of vertigo. This makes misjudging the horizon easy, so always make sure you’re happy with the camera’s roll position.
5 ADJUST ROTATION It is possible that you might be disoriente­d when looking down through a viewfinder – essentiall­y, it’s like a feeling of vertigo. This makes misjudging the horizon easy, so always make sure you’re happy with the camera’s roll position.
 ??  ?? 4
SPOT METERING Switching to this metering mode is often advantageo­us, since the top-down perspectiv­e exaggerate­s exposure hotspots – they are harder to overlook, given the flatter view. Spot will help control distractin­g brightness.
4 SPOT METERING Switching to this metering mode is often advantageo­us, since the top-down perspectiv­e exaggerate­s exposure hotspots – they are harder to overlook, given the flatter view. Spot will help control distractin­g brightness.

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