Digital Photographer

WORKING WITH BRANDS

First, create a strong portfolio

-

1 PROVE YOUR WORTH

Landing client work is much easier if you have photos in your portfolio that align with your favourite brands’ creative. Shoot personal work with such brands in mind. Build out your portfolio according to the type of work you want to make. Your pictures will carry you further than your words.

2 MAKING MEMORIES

When you take a photograph, you’re essentiall­y preserving a memory. Use your own memories as a trigger to press the shutter. Think about your own childhood: fun times, sad times, exciting times…

3 POSE QUESTIONS TO THE VIEWER

There’s a pleasure in not knowing. It activates the mind. Frame your images in a way that poses a question to your audience and engages them in your work. Try composing shots so that your subjects are looking at something outside of the frame to add intrigue to the image.

4 THINK ABOUT EMOTION

Emotion doesn’t just mean laughing or crying. It is an instinctiv­e feeling related to the human condition. Think about this as much as the environmen­t you are working in. Motivate your subjects to do something that your audience can relate to.

5 QUALITY OVER QUANTITY

Be ruthless with your edit. A website showcasing 20 killer pictures in a consistent and coherent style will always win more work than a wide-ranging jumbled body of work.

6 REACH OUT

Once you have a decent portfolio, reach out to the brands you want to work with via platforms like Instagram. Brands and agencies are always looking for new talent, and a simple DM introducin­g yourself and your work can often lead to surprising conversati­ons.

7 VALUE TEAMWORK

Listen, delegate, be a kind and friendly person to work with. Your character on a set is key to setting the tone for a shoot. Good vibes will filter across the rest of the crew, and the experience for everyone involved will be a memorable one.

8 PREPARE FULLY

Prepare for success with mood boards, location scouting and call sheets.

9 EDIT YOUR OWN WAY

Edit with originalit­y and understand colour adjustment­s and theory. In postproduc­tion, it’s better to be different and use your own plot devices and key techniques.

Newspapers in English

Newspapers from United Kingdom