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Timeless clarity

- TEXT: CORNELIA BRELOWSKI I PHOTOS: GLASSER AND DAGENBACH

For the team at Glaßer and Dagenbach, interpreti­ng a space also means connecting to both its past and future. By using the three elements of green, stone and water, the office creates harmonious and contemplat­ive designs aimed at forming a connection between human and place.

The Berlin-based office was founded in 1988 by landscape architects Silvia Glaßer and Udo Dagenbach as co-owners, and engages in hotel and resort projects, as well as park and landscape design for public and private clients across Germany, Austria, Russia, Lithuania, Armenia, Azerbaijan, Georgia and Italy.

Stone-plant sculptures

Glaßer and Dagenbach’s“smallest projects to date” combine geometrica­l, Bauhausrel­ated design with Japanese minimalism. As Udo Dagenbach, who has worked with stone sculptor Prof. Makoto Fujiwara during the ‘80s, explains: “It took a while to find a way of creating the European version of a Japanese Zen garden.”

The cuboid sculpture boldly parts stone and plant by way of a shifted cut. It won the 2018 German Design Award due to its “sophistica­ted combinatio­n of two natural opposites”.

United World College, Dilijan

The comprehens­ive planning of the outdoor areas of the United World College (UWC) was another project for the firm, and tackled together with Tim Flynn architects, of London. The award-winning design for the internatio­nal school combines vertical ‘living walls’, natural roof greening, stone, green and water elements in a contemplat­ive yet dynamic layout, with a signature fountain set at a shifted angle within the central axis. The integratio­n of young locals and visitors in the creation of the living walls was part of the concept.

Garten von Ehren, Hamburg

The gardens for the Von Ehren Garden Design Forum, meanwhile, present an enchanting mix of Baroque and contempora­ry elements. The central, circular patch, with a translucen­t arc, forms the representa­tive entry section, followed by a vast array of show gardens and greenhouse­s. The forum is connected with its environmen­t by a spacious parkway, structured by sculptured stone elements.

Bolshevik-Factory, Moscow

A former confection­ery complex was transforme­d into a business centre and private apartments. The outside area, by Glaßer and Dagenbach, is marked by green squares, set at slightly shifting angles, as well as finger-like cutouts in the stone paving, allowing the framing greenery to ‘conquer’ the walkways. The design

won the silver diploma of the IX. Russian National Landscape Architectu­re Award 2018, as well as the German Design Award 2020.

Geschichts­park Zellengefä­ngnis, Berlin

The Berlin Moabit Prison Historical Park is a highly acclaimed project which took 16 years to plan and realise. Today, both locals and visitors can rediscover the site’s historical significan­ce after more than 50 years of inaccessib­ility.

The star-shaped layout is based on the original prison architectu­re and creates a peaceful, contemplat­ive atmosphere on the very grounds where political prisoners were detained during the fascist regime.

An open cube, the ‘Panoptikum’, is set right at its centre: It marks the spot from which prison guards were able to survey all tracts simultaneo­usly.

The former layout was recreated by way of slightly sunken versus elevated lawn levels, as well as hedgerows. Glaßer and Dagenbach made a point of involving children and young people from surroundin­g communitie­s in the creation of the play area, in cooperatio­n with artists.

In Prussian times, the former cell prison was regarded as modern, because it featured single cells as opposed to group cells for the first time in history. It was later used to detain members of the resistance and was finally demolished in the‘50s.

The atmospheri­c park is still enclosed on three sides by the five-metre-high, sunlight-reflecting original brick prison wall. A reconstruc­ted cell allows visitors to listen to a recording of Albrecht Haushofer’s Moabit Sonnets, secretly composed during his incarcerat­ion in 1944 to 45, before his execution through the Gestapo. Highly spiritual in parts, it is an ode to overcoming fear.

The ambitious project has won the German Landscape Architectu­re Award 2007, the Daylight Spaces Award 2007, as well as the A’ Design Award 2017.

John-Locke square, Berlin

This recreation­al square, another source of pride for the firm, combines invigorati­ng water elements, stone paving and green patches as part of comprehens­ive modernisat­ion measures to create new quality of life for the Lichtenrad­e borough on Berlin’s southernmo­st border. Playful fountains mark the layout, one of which features life-sized stone hippos, happily resting around the pool.

While keeping their clients’ needs in mind, Glaßer and Dagenbach approach the design of gardens, parks and landscapes strongly depending on both the existing character of the space and its future role:“Our aim is to create gardens and parks with which we can identify on an emotional level, yet which still retain a lasting, timeless clarity.”

 ??  ?? Garten von Ehren, Hamburg.
Garten von Ehren, Hamburg.
 ??  ?? Bolshevik Factory, Moscow.
www.glada-berlin.de
Bolshevik Factory, Moscow. www.glada-berlin.de
 ??  ?? Stone-Plant Sculptures.
Stone-Plant Sculptures.
 ??  ?? United World College Dilijan, Armenia.
United World College Dilijan, Armenia.
 ??  ?? Moabit Prison Historical Park, Berlin.
Moabit Prison Historical Park, Berlin.
 ??  ?? John-Locke-Platz, Berlin.
John-Locke-Platz, Berlin.

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