Eastern Eye (UK)

Streaming services bank on India

DIGITAL PLATFORMS LURE SUBSCRIBER­S AS COVID RESTRICTIO­NS CHANGE VIEWING HABITS

- By NADEEM BADSHAH

INDIA is at the centre of a battle between online streaming giants for subscriber­s during the pandemic, according to experts.

Netflix and Amazon Prime have unveiled films and series for Indian audiences this year, to fill the void left by the closure of cinemas during the Covid crisis. The platforms are creating original shows in languages including Malayalam, Tamil and Telugu.

Netflix invested around `30 billion (£293 million) to produce and license Indian content in 2019-2020. It is behind series such as Delhi Crime, Fabulous Lives of Bollywood Wives and animated comedy Mighty Little Bheem.

Amazon Prime has the rights for Tandav, a political series starring Saif Ali Khan which earlier this year was forced to edit out scenes allegedly for being an “insult to Hindu gods”.

BritBox, a streaming service run by BBC Studios and ITV, has announced plans to launch in Asia. BBC Studios recently unveiled a deal with new streaming service Lionsgate Play, where five scripted dramas will be subtitled into regional Indian languages.

Rajinder Dudrah, professor of cultural studies and creative industries at Birmingham City University, told Eastern Eye: “Cinema has been one of the big sectors hit [by the pandemic]. In its place digital streaming platforms are a potential growth area.

“More people are at home, and they want to entertain themselves in their bubble. India has had a growing middle class for at least two decades, along with a growing youth market and working population market.

“The market has steadied in the western hemisphere. There is an economic imperative; India is a demographi­c on the rise who are going to get richer.”

The White Tiger, starring Priyanka Chopra Jonas, was ranked first in India’s Top 10 Movies & TV Series list on Netflix in February. Telugu drama Pitta Kathalu

was released on the platform last month while The Girl on the Train/Mira, a Hindi-language adaption of the novel The Girl on the Train, was recently released, and animated movie Bombay Rose is scheduled to be available imminently.

Delhi Crime, a Netflix drama about a rape and murder case in 2012, was the first Indian series to win an Emmy award at last year’s ceremony, scooping the prize for Best Internatio­nal Series. All of the Indian nomination­s were for shows created by Netflix or Amazon Prime.

Dudrah added that TV series, including Tandav and Sacred Games,a

drama about political corruption, have marked a shift in the topics covered for digital platforms compared to films shown in cinemas.

“In cinema, people are very risk averse, unless a big star is [appearing], to mitigate that risk. In mainstream movies it is about the profit.

“With Netflix, the content is different. There are categories of story telling, (there’s) more risk taking. Audiences watch when they want, people will come back, press pause due to their busy schedules rather than going to the cinema on a Friday or Saturday night.

“These platforms bypass a lot of censorship rules. Cinemas have been seen as public property for decades, while Netflix is word of mouth, ‘watch if you want, watch something else’. There is a fail safe.

“They don’t have to take it off their platform due to the proliferat­ion of content and genres they have.”

According to Amazon Prime, 20 per cent of viewers of their original Indian content are now from outside the south Asian country. The online giant also has subscriber­s in more than 4,300 towns and cities across India.

The streaming boom is also impacting the Hindi film industry, with Amazon Prime buying the rights for Mumbai Saga, a crime thriller starring John Abraham and Emraan Hashmi.

Meanwhile, streaming services Disney+ Hotstar and JioTV have the rights in India to show the ongoing EnglandInd­ia cricket series in the country, along with matches in the Indian Premier League (IPL) tournament.

Armaan Kirmani, an actor in the UK, told Eastern Eye: “As high-speed internet access grows across the subcontine­nt, naturally, streaming platforms will have access to an unpreceden­ted audience which has a growing literacy rate.

“With streaming services having more relaxed regulation due to their on-demand nature of content over the next few years, it is wholly likely that the influences from streaming content will start to filter through to TV and cinema. We are likely to see wider issues being presented in the mainstream as attitudes on social topics change and evolve.”

Stanley Fernandes, vice-president of BBC Studios South Asia distributi­on, said the digital market in India was a key priority, along with other countries in the region.

He said: “In India, for now, our business plans are to align with local platforms and it’s in these platforms that we see our best partnershi­ps.

“Having said that, this is an everevolvi­ng space and we are always on the lookout for opportunit­ies to increase our brand outreach and audience share.”

He added: “Currently, there is so much to focus on in India. Our key business agenda is to grow existing partnershi­ps and create new relationsh­ips across both linear and digital services, with India as our priority market.

“Most of our licensing deals with key partners extend to territorie­s within south Asia, covering territorie­s such as Bangladesh, reaching out to our audiences within these bases.”

Elsewhere, Disney launched a channel on its streaming service aimed at adults on February 23. The Star channel will push up the monthly cost of Disney+ by 33 per cent. New subscriber­s will pay £7.99 a month, compared with the current price of £5.99.

A recent report found that the Disney+ streaming service is set to reach more subscriber­s than Netflix in 2026.

Digital TV Research projects that the number of paying customers will reach 294 million in 2026, surpassing the 286 million it estimates Netflix will reach.

The report said: “However, Disney+ will only have more subscriber­s than Netflix in one country – India: 98 million Disney+ Hotstar subscriber­s versus 13 million for Netflix.”

Prabhhav Sharma, a data scientist in India, said: “Disney gave priority to its quality over quantity content. It has the likes of Pixar and Marvel.

“And they partnered with India major streaming platform Hotstar to take on Amazon Prime and Netflix. They are expecting growth of 240 million subscriber­s until 2024.

“[But] remember Quibi, another video streaming platform which raised more than $1 billion, has shut down, whereas other streaming services are thriving in the pandemic.”

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 ??  ?? ONLINE OFFERING: Sacred Games was an early success for Netflix in India; (above left) actress Sobhita Dhulipala at the launch of the Amazon Prime original series Made in Heaven; and (inset left) Bollywood star Parineeti Chopra stars in The Girl on the Train/Mira, on Netflix
ONLINE OFFERING: Sacred Games was an early success for Netflix in India; (above left) actress Sobhita Dhulipala at the launch of the Amazon Prime original series Made in Heaven; and (inset left) Bollywood star Parineeti Chopra stars in The Girl on the Train/Mira, on Netflix

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