Eastern Eye (UK)

Mining motifs shape artist’s imaginatio­n

PACHPUTE’S AWARD-WINNING WORKS REFLECT SOCIAL INEQUALITI­ES

- By POOJA SHRIVASTAV­A

ARTIST Prabhakar Pachpute has today (26) become the first Indiabased artist to be awarded a prestigiou­s art award.

The Derek Williams Trust Artes Mundi Purchase Prize, set up 18 years ago, is given to an outstandin­g piece of contempora­ry art. It is a part of the Internatio­nal Artes Mundi Prize.

Pachpute, who is based in Pune, India, told Eastern Eye: “I am deeply honoured and really happy. I feel humbled.” Pachpute’s artworks – Rattling Knot (2020)

The Close Observer

Museum Wales for its permanent collection of contempora­ry art.

The works are currently on display at National Museum Cardiff as part of the UK’s largest biennial internatio­nal exhibition and art prize – Artes Mundi 9 – which runs until September 5.

In an interview with Eastern Eye, Pachpute revealed how most of his work revolves around mining and its societal and human aspects.

Born and brought up in a small town in Maharashtr­a, he pursued the art of sculpting from the Maharaja Sayajirao University (MSU) of Baroda, one of the most prestigiou­s universiti­es for fine arts in India. After pursuing some time in this field, Pachpute said he felt drawn towards arts depicting mining and related aspects owing to his childhood memories.

“I never thought that mining would become a subject of my art. But around 2011-2012, memories started coming like a flashback and I started exploring this area,” the artist said.

Travelling to different places and meeting different people also helped Pachpute with his art. “I travelled and visited all kinds of mines in Brazil and also in the US. That engagement was important for me to understand the universe and it also helped me to compare the practices as they happen in India. In the UK, I saw restoratio­n of open-pit mines. So those things actually really triggered me to focus on that aspect,” Pachpute said.

In his work, Pachpute has created a visual language that reflects the working conditions, relentless excavation, unequal social developmen­t, and land politics as he has seen them in the mining industry.

Pachpute has exhibited internatio­nally from São Paulo to Istanbul, from Barcelona to Brisbane.

Yet this acquisitio­n marks the first time that work by an Indian artist has been purchased by a museum or institutio­n in the UK.

On Indians’ receptiven­ess towards arts and the artists, Pachpute said “there is very little support and encouragem­ent from the government and society”.

“I don’t see that many scholarshi­ps or awards or encouragem­ent or even platforms in India. There are a few private institutio­ns, but in terms of population here, it’s very less,” Pachpute told Eastern Eye.

“There are so many young artists still struggling for their career.”

Admitting that his own family was initially not very happy over his choice of higher education as well as profession, Pachpute said India is yet to develop an “appreciati­on for art”.

 ??  ?? (2020) – will be acquired by
National
FLASHBACK: Prabhakar Pachpute
(2020) – will be acquired by National FLASHBACK: Prabhakar Pachpute
 ??  ?? Rattling Knot (left) and The Close Observer displayed at Experiment­er Gallery, Kolkata
Rattling Knot (left) and The Close Observer displayed at Experiment­er Gallery, Kolkata
 ??  ?? Canary in a coalmine
Canary in a coalmine
 ??  ?? The relic of our time
The relic of our time

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