Eastern Eye (UK)

The Hema Malini dream dozen

BIRTHDAY SPECIAL CELEBRATIN­G THE MOVIE ICON’S TOP 12 PERFORMANC­ES

- By ASJAD NAZIR

LEGENDARY Bollywood actress Hema Malini turns a year older this week and celebrates her 74th birthday.

The movie icon, affectiona­tely known as Dream Girl, will receive warm wishes from all her fans.

Eastern Eye decided to join the celebratio­ns by going through her fabulous body of film work to select her top 12 performanc­es, listed in chronologi­cal order.

Andaz (1971): This was the first movie to demonstrat­e that Malini could back up her glamorous dream girl image with an impressive acting ability. Despite just being 22 years old, she took on a challengin­g role in the story of two widowed parents finding love. The young actress held her own against establishe­d hero Shammi Kapoor, in his last great lead role, and reigning superstar Rajesh Khanna in the blockbuste­r hit.

Seeta Aur Geeta (1972): The young actress was elevated into the A-list category by playing the title role of twins with contrastin­g personalit­ies. The year’s biggest Bollywood hit would earn her a Filmfare Award for Best Actress. It was particular­ly special because the tougher twin introduced the kind of raw girl power that had been missing in Hindi cinema. She outshone her establishe­d leading men (Sanjeev Kumar and Dharmendra), which would become a common occurrence throughout her career.

Khushboo (1975): By the mid-1970s, Malini was the undisputed queen of Bollywood. She regularly lit up commercial blockbuste­rs opposite A-list leading men but surprised everyone by agreeing to star in this artistic gem from writer-director Gulzar, who gave her a performanc­e-driven role. The actress, who was known for fiery characters, delivers a beautifull­y restrained performanc­e as a village girl, who is reconnecte­d with a man she was made to marry as a child bride.

Sholay (1975): Although she had a prolific career, this will always be her career-defining role. Her portrayal of fast-talking carriage driver Basanti has gone down in history as one of the most memorable female characters. She is electrifyi­ng in every scene and was the most important female presence in the recordbrea­king curry western. It remains associated with her almost 50 years later.

Kinara (1977): The in-demand actress once again stepped away from commercial blockbuste­rs like Pratigya (1975), Dharmatama (1975) and Dus Numbri (1976), by teaming up with Gulzar again for this relatively low budget romantic drama. She sank her teeth into the strongly written role of a woman who loses everything, including her sight, and her journey back towards some semblance of inner peace. She was able to show off her impressive classical dancing skills and would earn a Filmfare Best Actress nomination.

Meera (1979): Like Kinara, this critically acclaimed film was another special collaborat­ion between the actress and writer-director Gulzar. She takes on the title role in this historical based on the life of a saint. The versatile performer portrays a woman, who has such absolute devotion to a higher spiritual power that she is willing to die for her beliefs. It was another film that was a massive departure from commercial Hindi cinema and driven by her strong central performanc­e.

Jyoti (1981): Another power-packed role from the actress saw her portray a feisty village girl, who has an arranged marriage to a man who has been mentally, emotionall­y, and physically beaten down by his family. She has a transforma­tive effect on him and takes on the dark forces in the family. Her electric turn became another strong symbol of girl power in her glittering career.

Satte Pe Satta (1982): Only Malini could have played the role of a nurse who ends up living with seven rowdy brothers, after marrying one of them, and being a positive influence on their lives. She shows magnificen­t comic timing in the Bollywood remake of Seven Brides For Seven Brothers, but backs it up with real power and holds her own against male cast members. The cult classic was another example of a maledomina­ted movie where she shone.

Razia Sultan (1983): The movie from legendary writerdire­ctor Kamal Amrohi features a phenomenal lead performanc­e from the actress in the title role. The beautifull­y shot historical based on real events was another boundary-breaking role and saw her portray a woman ruler, who develops a relationsh­ip with a darkskinne­d Abyssinian slave. Malini wonderfull­y mixes up a regal presence with a deeply romantic side in the superbly written story.

Aandhi-Toofan (1985): The actress had bigger commercial hits in the 1980s like Do Aur Do Panch (1980), Naseeb (1981), Kranti (1981) and Farz Aur Kanoon (1983), but there were more powerful performanc­es in often forgotten gems like this. She delivers an incendiary portrayal of a woman who hires two mercenarie­s to capture a dreaded villain, who had brutally destroyed her life. The movie had echoes of her all-time classic Sholay and gave her a powerful role.

Ek Chadar Maili Si (1986): The Bollywood adaptation of the classic novel of the same name has become iconic largely thanks to the brilliant lead performanc­es. She portrays a feisty village woman who must endure an abusive marriage and patriarchy. Despite facing more of the same after her husband dies, she has a never-say-die spirit and tries to maintain some semblance of dignity. The multi-layered role enabled her to show deep emotions.

Baghban (2003): The actress reunited with Amitabh Bachchan in this family drama about an elderly couple who struggle to receive support from their children. The film really connected with the older generation and was another one where she showed real presence on screen. She had lost none of the chemistry with co-star Bachchan and their scenes together are a delight.

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 ?? ?? LEAVING A MARK: Hema Malini
LEAVING A MARK: Hema Malini

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