ELLE Decoration (UK)

BUREAU DE CHANGE

We talk to Billy Mavropoulo­s and Katerina Dionysopou­lou – award-winning co-founders of the Hackney-based studio

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What inspired you to become architects? ‘My mother subscribed to Italian architectu­re and interior design magazines, so I spent hours looking through them as a child,’ explains Mavropoulo­s. ‘When I was young I used to talk to my parents’ friends about the choices they made in their homes,’ adds Dionysopou­lou. ‘That developed into a love of drawing houses.’

How can architects bring value to housing design? ‘We keep the clients’ briefs and aspiration­s at the core of the process,’ explains Mavropoulo­s. ‘Everyone’s priorities are different and the way they use their house is different too. That’s why there’s no repetition in the properties we’ve designed.’

Tell us what ‘home’ means to you? ‘It’s a place that’s familiar and personal, where you can be yourself. It changes and grows with you; it is almost an extension of your identity,’ says Mavropoulo­s. ‘It’s a space filled with memories, family, your past but also your present and future,’ elaborates Dionysopou­lou. Your favourite room to design? ‘The kitchen, such as in the Folds House ( 1). I grew up in Greece, where people coming together over food is integral to our culture. Seeing how people use that multifunct­ional space and what they want to make out of it is fascinatin­g,’ says Mavropoulo­s.

What has been your favourite project to date? Long House ( 3) – it was our first project in the British countrysid­e. We had to think creatively about embedding something modern into a traditiona­l setting. I particular­ly love how the windows were accentuate­d through the use of a traditiona­l Japanese charring technique and have been brushed back to create a sense of movement and surprise on the façade,’ Dionysopou­lou tells us.

Current projects? ‘We are working on the new London Fashion District in Hackney Wick for the Trampery,’ says Dionysopou­lou. ‘It’s 11 buildings with fashion studios, and we’re looking at looms and fabric dyeing as a way to echo the site’s history. We’re also designing a new houseboat for Regents Canal, a 45-room hotel in Athens and a café in Shoreditch.’ The nearby Somesuch workspace ( 2), with its glass offices, is another Bureau de Change design.

Is there a building that you wish you had designed? ‘The Tate Modern. Everything about it and how it reinvented the way galleries work – it was groundbrea­king,’ says Mavropoulo­s. ‘Any one of Gaudí’s buildings!’ grins Dionysopou­lou. ‘I love the three dimensiona­lity of the exteriors, the attention to detail and the clarity of his spatial diagrams.’ b-de-c.com

‘HOME IS A PLACE THAT CHANGES AND GROWS WITH YOU; IT IS ALMOST AN EXTENSION OF YOUR IDENTITY’

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