ELLE Decoration (UK)

My cultural life Set designer Shona Heath’s inspiratio­ns

An arbiter of taste tells us what they’re reading, watching and more

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A veritable behind-the-scenes powerhouse, set designer Shona Heath creates fierce, fantastica­l and whimsical worlds for magazine editorials, advertisin­g campaigns and fashion houses from Mulberry to Marni. Flouting any fixed ideas of what the discipline should involve, her magical portfolio encompasse­s costumery, sculpting, photograph­y, film and, now, exhibition design – she’s worked on the upcoming ‘Wonderful Things’ ( 5) retrospect­ive of photograph­er Tim Walker’s work at London’s V&A museum. Heath’s 20-year collaborat­ion with Walker has enabled her to build an exciting and imaginatio­n-sparking world, where his visionary work is paired with ten new photograph­ic projects that respond to items from the museum’s permanent collection. From 21 September-8 March (vam.ac.uk). The book that has influenced me the most is Masquerade by Kit Williams ( 4). It is a children’s book, but it’s so dark, earthy and of the English countrysid­e – the landscape I love and in which I grew up.

My all-time favourite film is Little Miss Sunshine. It reminds me of family holidays in a camper van as a child – we were an odd bunch. I once watched it in a hotel room on my own and fell off the bed laughing. One quote that speaks to me is ‘fascinatio­n is reached only through and beyond boredom’. I don’t know who said it, but it makes me feel a bit better when I refuse to let my son watch TV. The last exhibition I saw was ‘ArtandCoun­terculture­1967-1970’ at the Stedelijk in Amsterdam. I loved that all the work was a bit scruffy and never intended for an art gallery – nothing too ‘highbrow’, which was a relief for an exhibition visit.

My best-loved museum or gallery is the V&A. It always has been.

I am a collector of African wax print cloths ( 1). I walk past the African shops in Dalston all the time, and I just can’t not buy one. They feature imagery from giant shells to religious figurehead­s, phones, fridges, English words spelt in odd ways, Chanel logos, cups of tea, cracked eggs... They are both magical and surreal.

I’d start a free day in London with a long walk from my home in Stamford Hill to the courtyard in Somerset House for coffee and pancakes with my husband and son. We’d get there early in the morning, when nobody else is there. Afterwards we’d walk to the Southbank for a wander around Tate Modern ( 3) and, afterwards, pick sushi from the conveyor at Kulu Kulu on Brewer Street. Then a black cab home. My favourite place in the world is a Basque house in France’s Pyla-sur-Mer ( 2). It’s half by the sea, half by a pine forest and next to the biggest sand dune in Europe. I’ve been going there since I was three and the area blows my mind every time – it’s like a mini Sahara!

This year I will be collaborat­ing more. I enjoy meeting people in person – that way ideas grow more organicall­y. I’m also working on projects with wallpaper brand De Gournay and, hopefully, Liberty – both dreams come true!

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