ELLE Decoration (UK)

THE PUBLICIST HARRIET MATHIAS

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Modern Muse Art founder Harriet Mathias pulls no punches when questioned on the challenges facing artists today. ‘London is such an amazing city for art, but it can be really lonely for artists. The fairs are incredible, but you can become lost as an identity among the competitiv­eness.’ As a former PR manager for Cartier and Prada, she was well versed in communicat­ing the appeal of brands with artistry in their DNA, but had a vision for an accessible art platform that would provide artists with a community and collectors with an emotional connection to the pieces they buy.

In December 2018, the art history graduate began building up contacts as an art consultant – encouraged by the constant requests for advice from family and friends – and the Modern Muse website went live exactly a year later. ‘I realised I could actually do something with my knowledge,’ says Mathias. ‘I was confident in the artists that I had on my books, and the gap in the market for a tailored platform that puts the artist first.’ It’s a quip that captures the crux of what separates the site from competitor­s – Modern Muse is not a tradeable art marketplac­e, but a place to profile artists in depth, where potential buyers can, as Mathias puts it, ‘be alone with their thoughts without the fear of entering a traditiona­l white cube gallery’.

She’s keen to connect as many artists and collectors face to face as possible, and perhaps Mathias’ masterstro­ke is the upcoming physical space, born from a house purchase that became an integral part of the project (‘I had a eureka moment,’ she says). Modern Mews – wittily named for the Notting Hill townhouse it calls home – is a versatile new venture that will provide a gallery area, plus a backdrop for events, talks and client dinners. Though Mathias envisions it as appointmen­t-only, she’s firm on the fact that artists will be able to come and go as they please. ‘The artist is the muse.’ modernmuse­art.com

‘LONDON IS SUCH AN AMAZING CITY FOR ART, BUT IT CAN BE REALLY LONELY FOR ARTISTS’

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 ??  ?? by Frida Wannerberg­er, £550; Untitled, 2017 by Marco Rea, £835; Fingertips by Kirk Truman, £450; Watermelon Memories by Natasha Briefel, £685; Next Morning by Sasha Podgurska, £720; all sourced on Modern Muse Art
by Frida Wannerberg­er, £550; Untitled, 2017 by Marco Rea, £835; Fingertips by Kirk Truman, £450; Watermelon Memories by Natasha Briefel, £685; Next Morning by Sasha Podgurska, £720; all sourced on Modern Muse Art
 ??  ?? From top left Calliope, muse of epic poetry, 2019
From top left Calliope, muse of epic poetry, 2019

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