ELLE Decoration (UK)

Surface specialist Caesarston­e is leading the way in counter intelligen­ce with its innovative approach to quartz

The surface specialist pushing boundaries in pursuit of recreating nature’s riches

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‘As a child I read The Amateur Naturalist by Gerald Durrell and I feel that nature – the beach, the desert, the woods – is the best place to look for inspiratio­n; it’s full of the earth’s treasures,’ says Mor Krisher, global head of design at quartz surface specialist Caesarston­e. ‘Just before the coronaviru­s outbreak, I went climbing in Greece and brought a few rocks back to the lab, which are already evolving into a new idea.’ The lab he’s referring to is part of Caesarston­e’s research and design centre in Israel’s S’dot Yam (the company was founded by members of the eponymous kibbutz in 1987), at the forefront of inventing new effects – and the techniques needed to produce them.

The manufactur­er has long been a trailblaze­r, but it wasn’t until it began to adapt the machinery with its own unique programmin­g systems that it reached a design turning point. ‘The “Supernatur­al”

‘NATURE IS THE BEST PLACE TO LOOK FOR INSPIRATIO­N; IT’S FULL OF EARTH’S TREASURES’

collection in 2012 was the beginning of us creating our own technologi­es. These enable us to do exactly what we want, which is to achieve something that doesn’t look fake,’ confirms Krisher of the marble-inspired range.

Equally game-changing was the industrial-led ‘Metropolit­an’ collection, launched six years later. Comprised of unpolished surfaces with weathered patinas (a first for quartz), each reflects a texture such as poured plaster, raw concrete or oxidised steel. Here, too, are nods to nature, with influences including a watercolou­r painting of the moon by Israeli artist Idit Goldzweig and Australian sculptor Jamie North’s concrete pillars filled with plants: ‘The most interestin­g part for me is looking at organic processes and the effect that has on industrial materials – moss growing over concrete or the beauty of rust.’

Aspartofth­eresearchp­rocess,theteamwor­kswithtren­dforecaste­rs and plan several years in advance – in part because that’s how long it takes to develop the finishes, first experiment­ing by hand and then figuring out how to replicate them on a larger scale. Now, Caesarston­e is branching out into new directions with a porcelain collection, a series of white surfaces called ‘Whitelight’ and – another first – a range of weather-resistant surfaces suitable for outdoor kitchens, being launched this year. In the hands of such a visionary company, the possibilit­ies for quartz are endless. caesarston­e.co.uk

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‘Excava’ surfaces; and ‘Statuario Nuvo ’ quartz, both from £800 per sq m; ‘Black Tempal’ quartz,
from £550 per sq m Below Mor Krisher works on a project at Caesarston­e
From left ‘Oxidian’ quartz; and kitchen island in ‘Empira Black’, both from £550 per sq m, Caesarston­e
(caesarston­e.co.uk)
From top Kitchen with ‘Excava’ surfaces; and ‘Statuario Nuvo ’ quartz, both from £800 per sq m; ‘Black Tempal’ quartz, from £550 per sq m Below Mor Krisher works on a project at Caesarston­e From left ‘Oxidian’ quartz; and kitchen island in ‘Empira Black’, both from £550 per sq m, Caesarston­e (caesarston­e.co.uk)
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