The dream weaver Bec Kirby takes inspiration from the weird and wonderful to create her tufted cushions and wall hangings
Manchester-based textile artist Bec Kirby of Soosumsee takes inspiration from the weird and the wonderful to create her tufted cushions and wall hangings
Why Soosumsee? It’s the slang name for rock-paper-scissors in Toronto. I use a lot of different mediums within my work, so the name derived from that.
Where did you study? I did an interior designdegreeattheUniversityofHuddersfield, but I taught myself tufting (a type of textile weaving). This past year has been unusual; it led me to want more of a creative release. I’m very hands on and felt I was missing something. Studying design definitely brought me to this point in my career; it goes hand in hand with tufting. However, it feels far more rewarding to work on pieces from start to finish without having to pass my ideas onto someone else to bring to life. What’s your inspiration? I’m drawn to the weird and the wonderful. Some of the pieces have been inspired by people, places and personal experiences; others by folk art and outsider artists such as Bill Traylor and Marcos Bontempo. I love the work of Francisco Toledo and the darkness in his pieces, too. They’re a reminder that inspiration doesn’t always have to come from positive influences. In fact, a few pieces from ‘The Series of Eight’ were inspired by terrifying recurring hallucinations I used to have as a child. But recreating them and turning them into something physical was a nice way of getting my own back for all those sleepless nights.
Where do you source your materials? I like to use local suppliers. The cotton comes from a mill in Manchester and the alpaca wool is sourced from a farm in
Yorkshire. Animal welfare is important to me, so I only use suppliers who share the same values – it’s one of the reasons why I don’t use merino wool yarn yet.
Can you tell us about your technique? There is a lot of conceptual development that goes into each piece, so my process always starts with drawing out ideas and mocking them up digitally. I then project the design onto the frame and sketch onto monk’s cloth. Using a special gun for tufting, I work into the detailing first, to refine the shapes, before filling in the background. Once the pieces have been glued, they get cut off the frame and then I hand-trim with snips to tidy up the loose loops. Each cushion is hand-sewn with a lot of care. Whatdoyouhavecomingup? I’mcurrently in the process of renovating my studio, after tufting in my dining room for the last six months! As soon as it’s ready, I can create far bigger pieces, which I’m really excited about. Rugs are definitely on the cards, along with larger wall hangings and throws. It feels like I’m at a very exciting stage with Soosumsee and I can’t wait to see what the next year brings. soosumsee.com
‘INSPIRATION DOESN’T ALWAYS HAVE TO
COME FROM POSITIVE INFLUENCES’