ELLE Decoration (UK)

Made for tomorrow Working from home takes on new meaning in Sydney, where one couple have created a bold extension designed for business and leisure

The boundaries between work and home are blurring – this Sydney family house/studio offers a sustainabl­e new approach to both

- Words KARINE MONIÉ Photograph­y ANSON SMART Portrait photograph­y RUSSELL HORTON

Alexander House is our working prototype to test ideas,’ says Jeremy Bull, principal at architectu­re and interior design studio Alexander & Co. ‘It is a building that can perform as an office, a space for reflection to nurture the creative spirit, and a testing ground for sustainabl­e technologi­es.’

Situated next door to the home Jeremy shares with his wife, Alexander & Co’s marketing director Tess Glasson, and their four children, it is also, more prosaicall­y, an extension – albeit a very unconventi­onal one. Joined by the garden path, this separate four-storey property offers the comfort of working from home, but with a level of disconnect that many of us have been craving this past year.

Taking eight months to complete during last year’s various lockdowns, the 250-square-metre building in Sydney’s Bondi Junction includes a traditiona­l studio space in the basement, with workstatio­ns and storage for material samples. Head up to the ground floor and it starts to feel more homely. Called ‘the café’, this area features a kitchen, dining and meeting spaces, as well as a relaxed lounge. On the mezzanine, there’s a library, while the top floor is dedicated to sleeping quarters and bathrooms for visiting team members. ‘Conceptual­ly, the house feels a little like a church combined with a hotel reception,’ says Jeremy, who is a fan of the ambience created in places like Soho House and the Ace Hotel in London. ‘It’s a changeable series of rooms that have life cycles throughout the day and morph with the energy of their occupants.’

The property’s palette of natural walnut, oak and exposed concrete, paired with pale pink and grey plaster, is raw and yet refined. There’s an eco-first approach to decoration, with the couple aiming to produce no landfill contributi­ons and zero carbon emissions by 2022. To that end, the house has its own solar-powered water filtration system. It is also the first project to use rammed earth panels from the Natural Brick Co in partnershi­p with Re.Studio Collective. Handmade from recycled building waste, they don’t require kiln firing, further reducing their environmen­tal impact. Rubble from Alexander & Co’s previous workspace was even used to create ‘This Hima Series’, a collection of outdoor furniture by Re.Studio Collective that can be seen on the roof terrace.

A place of work with a vision and a mission, this is still very much a welcoming, family-friendly environmen­t. ‘Our sons are in and out daily,’ admits Tess. ‘Outside of working hours, we use the kitchen, living room and courtyard to entertain, and I love finding some quiet time in the library.’

As restrictio­ns imposed during the pandemic begin to ease, the way we work will inevitably shift again, but this couple will be ready. Plans are already afoot for exhibiting art and hosting conversati­ons about the design industry, its impacts and its potential to drive change. In their hands, the future looks peachy. alexandera­nd.co

 ??  ?? Roof terrace The tables and stools are part of Alexander & Co’s ‘This Hima Series’ and created by Re. Studio Collective using recycled building waste. Behind them is a customised outdoor shower and ice bath from Slightly Garden Obsessed, clad in ‘Musk Pink’ tiles from Sydney Tile Gallery
Roof terrace The tables and stools are part of Alexander & Co’s ‘This Hima Series’ and created by Re. Studio Collective using recycled building waste. Behind them is a customised outdoor shower and ice bath from Slightly Garden Obsessed, clad in ‘Musk Pink’ tiles from Sydney Tile Gallery
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 ??  ?? Kitchen Cast from concrete, the bespoke island (weighing almost half a tonne) has a soft pink tone that complement­s the veins in the Calacatta Viola marble splashback from Worldstone and custom cabinetry by Jonathan West. The ‘Bird’ pendant light is an Alexander & Co design crafted by The Lighting
Guild and the stools are the ‘Platner’ by Warren Platner for Knoll. On the island is a ‘Lady 79’ ceramic table lamp by Sarah Nedovic Gaunt
Kitchen Cast from concrete, the bespoke island (weighing almost half a tonne) has a soft pink tone that complement­s the veins in the Calacatta Viola marble splashback from Worldstone and custom cabinetry by Jonathan West. The ‘Bird’ pendant light is an Alexander & Co design crafted by The Lighting Guild and the stools are the ‘Platner’ by Warren Platner for Knoll. On the island is a ‘Lady 79’ ceramic table lamp by Sarah Nedovic Gaunt
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 ??  ?? Portrait Owners Tess and Jeremy Breakfast area A bespoke bench by CDF Studio, upholstere­d in ‘Tundra’ leather from Instyle, provides seating across two tables custom-designed by Alexander & Co. The chairs are the ‘Arkade’ by Nanna Ditzel for Brdr Krüger and Marcel Breuer’s ‘Cesca’ for Knoll. The wall light is a one-off piece by 27Hundred and the painting is V19 Reimaginin­g by Greg Wood, bought from Otomys Contempora­ry
Portrait Owners Tess and Jeremy Breakfast area A bespoke bench by CDF Studio, upholstere­d in ‘Tundra’ leather from Instyle, provides seating across two tables custom-designed by Alexander & Co. The chairs are the ‘Arkade’ by Nanna Ditzel for Brdr Krüger and Marcel Breuer’s ‘Cesca’ for Knoll. The wall light is a one-off piece by 27Hundred and the painting is V19 Reimaginin­g by Greg Wood, bought from Otomys Contempora­ry
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