ELLE Decoration (UK)

At home with

Moving to a small village in Yorkshire, Lee Thornley, founder of Bert & May, wanted to create a family home that shows the accessibil­ity of good design

- Words CLARE SARTIN Photograph­y SIMON BEVAN

Bert & May’s creative director and founder, Lee Thornley

Walk around the quiet village green in Poppleton, just outside York, and you may not notice the new family home of Lee Thornley, creative director and founder of Bert & May. Unassuming from the outside, it makes a graphic but calm first impression that’s very different to the ornate tile patterns his brand first became known for. The setting, too, is a long way from Andalucia where Lee’s design story began.

Back in 2004, Lee made the trip to that sleepy, sun-soaked part of southern Spain, leaving behind his stressful job as a barrister in London to set up a business selling reclaimed tiles – beautifull­y intricate designs in bright Mediterran­ean hues. Just four years later, he opened Casa La Siesta, his lovingly restored country hotel just 40 minutes from Cadiz, and, in 2010 met Juanma, the owner of a small, family-run local factory making traditiona­l encaustic tiles. This meeting was the catalyst for the Bert & May we know today. Lee and Juanma joined forces, re-purposing the factory to create original, vintage-inspired, handmade tiles.

And Lee hasn’t taken his foot off the creative pedal since then. Bert & May (so named because Lee used to wear a striped jumper that made him look like Liquorice Allsorts’ Bertie Bassett and his then-business partner Harriet Roberts’ nickname was May) has launched numerous collection­s, as well as collaborat­ions with the likes of Darkroom’s Rhonda Drakeford, Soho Home, The Conran Shop and Anthropolo­gie. Then there’s the side projects. Bert’s Barge, a narrowboat-turned-boutique hotel moored on the Regent’s Canal near Hackney, and Bert’s Boxes, prefabrica­ted modular garden study rooms, studios and one- or two-bed cabins.

Through all of these adventures, from Spain to east London, Lee has retained a base for both the brand and his family in Yorkshire.

LEE WANTED TO SHOW WHAT’S POSSIBLE WHEN YOU FOCUS ON USING SIMPLE MATERIALS WELL

Originally from Blackburn in nearby Lancashire, the entreprene­ur has a strong connection to the north. His two daughters, Lyla, 11, and Iris, eight, both go to school in York, so when looking for a home he could settle down in with them, his partner Phil, and their two dogs (Poppy the Labrador and Molly the dachshund), there was never any doubt where it would be.

The choice of property itself, however, was clearly a surprise to some. ‘Everybody said we must be mad; that it’s just a bloody ugly house and can never really be made into anything else,’ recalls Lee with a smile. For him, though, that was the whole point of this challenge. He wanted to show what’s possible when you focus on using beautiful, simple materials well.

A suburban three-bedroom mid-century home, it was, says Lee, ‘exceedingl­y average’. Not a phrase that would be used to describe it today. An underwhelm­ing lean-to was removed from the back of the home to make way for a double-storey extension that means the three-bedrooms (one of which was little more than a box room before) are now all generously sized and there are two bathrooms rather than one. Downstairs, the addition has made space for the amazing kitchen/dining area/lounge that is the heart of this home.

As well as making changes inside, the garden now contains not just a Bert’s Box studio for Phil’s pottery business, but also a luxurious standalone bedroom and bathroom for the couple. ‘Obviously we are mean parents and don’t want to be near the kids,’ quips Lee.

The whole project took place over the various lockdowns last year, with Lee buying the property in March and living in it for

six months before work began in September. There were problems getting hold of materials (as much due to Brexit as the pandemic, notes Lee), but in terms of impact the experience was a surprising­ly positive one. ‘We had nothing else to do,’ he explains. ‘I’m convinced that had there not been a pandemic we wouldn’t have been able to have been as obsessive. I’m quite a busy type and all this time on our hands meant we had a real creative focus. I feel really lucky.’

This attention to detail that the situation afforded can be seen throughout the whole home, from the choice of materials – lots of salvaged wood and, of course, tiles – to the colour scheme. Little Greene’s ‘Purple Brown’ sets a warm atmosphere in the snug (‘perfect for playing board games,’ Lee adds), while the deep green in the main bedroom has a ‘sexy, adult’ feel, and the kitchen is all about making the most of the available light.

There’s personalit­y at every turn, but this is a home where the interior speaks softly rather than screams. The concept, explains Lee, was ‘beautiful easy living’. Instead of the bold, bright, often intricatel­y-patterned reclaimed tiles that Bert & May first made its name bringing to the UK, this house showcases a more

THERE’S PERSONALIT­Y AT EVERY TURN, BUT THE INTERIOR SPEAKS SOFTLY RATHER THAN SCREAMS

subtle, sophistica­ted side to the brand. There’s a concentrat­ion on neutral colours and materials that can be loved for a lifetime. ‘Most people don’t have the luxury of a budget so big that they can install something they may then later go off,’ says Lee. The beige and white tiles from the new ‘Naked’ collection, used to clad his kitchen island, are the perfect example of this new ethos. Modern, but timeless.

And it’s that same thought process that is key to Bert & May’s other recent launches. Elegantly simple terrazzo marble and porcelain tiles were added to the usual encaustic ranges this year, while an upcoming collaborat­ion with Little Greene intends to offer the paint brand’s enticing palette in tile form. There’s even more in the pipeline, too: ‘two new ranges in the next 12 months’, promises Lee, who’s also hoping to open pop-up shops in Manchester and Bristol.

It’s a busy schedule, but if Lee’s neighbours in Poppleton, who have been popping by for a cup of tea and a snoop at what he has been able to achieve in this most unlikely of show spaces, are anything to go by, there will be plenty of people intrigued to see what he has in store. bertandmay.com

 ??  ?? Kitchen Lee (right) and partner Phil enjoy this bespoke space designed by Bert & May. The countertop­s are from Caesarston­e and the island is clad in ‘Hexagonal Split’ Bert & May tiles in ‘Pearl & Brighton Stone’. The ceiling lamps above the island are from Pooky and the large chandelier over the dining table (made from reclaimed Spanish shutters) is from the ‘73V’ collection by Bocci. Around the table sit a pair of ‘Wishbone’ chairs by Hans J Wegner for Carl Hansen & Søn with several vintage finds
Kitchen Lee (right) and partner Phil enjoy this bespoke space designed by Bert & May. The countertop­s are from Caesarston­e and the island is clad in ‘Hexagonal Split’ Bert & May tiles in ‘Pearl & Brighton Stone’. The ceiling lamps above the island are from Pooky and the large chandelier over the dining table (made from reclaimed Spanish shutters) is from the ‘73V’ collection by Bocci. Around the table sit a pair of ‘Wishbone’ chairs by Hans J Wegner for Carl Hansen & Søn with several vintage finds
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 ??  ?? Studio Lee’s partner Phil creates his pottery designs from a Bert’s Box at the end of the garden. It is decorated with Bert & May’s ‘Hexagonal Split’ tiles in ‘Fennel & Brighton Stone’ and the desk is a vintage find from Pool Bank Interiors
Snug Designed for comfort, this room features a ‘Scott’ sofa from Made and ‘Sofia’ footstool from Soho Home. The armchair ( just seen) with its graphic print, is a vintage find, as is the sideboard and 1960s Italian wall lights
Studio Lee’s partner Phil creates his pottery designs from a Bert’s Box at the end of the garden. It is decorated with Bert & May’s ‘Hexagonal Split’ tiles in ‘Fennel & Brighton Stone’ and the desk is a vintage find from Pool Bank Interiors Snug Designed for comfort, this room features a ‘Scott’ sofa from Made and ‘Sofia’ footstool from Soho Home. The armchair ( just seen) with its graphic print, is a vintage find, as is the sideboard and 1960s Italian wall lights
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 ??  ?? See Stockists page for details
See Stockists page for details
 ??  ?? Main bedroom Situated in the garden (below), this luxury suite features a bed from West Elm and bedlinen from The White Company. The mirror and console table are both vintage, sourced by Upside Down Design in York. The ceiling light is from Pooky Ensuite Bert & May’s ‘Hexagonal’ tiles in ‘Iron’ set a moody tone, with a concrete sink by Yorkshire-based The Poured Project. The wall-mounted tap is from Fired Earth, and the mirror is the ‘I Catini’ by Cielo at West One Bathrooms
Main bedroom Situated in the garden (below), this luxury suite features a bed from West Elm and bedlinen from The White Company. The mirror and console table are both vintage, sourced by Upside Down Design in York. The ceiling light is from Pooky Ensuite Bert & May’s ‘Hexagonal’ tiles in ‘Iron’ set a moody tone, with a concrete sink by Yorkshire-based The Poured Project. The wall-mounted tap is from Fired Earth, and the mirror is the ‘I Catini’ by Cielo at West One Bathrooms

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