ELLE Decoration (UK)

Living for the city

The bright lights, the busy streets, the buzz… This fantastica­l Milanese apartment is an ode to the rebirth of metropolit­an excess

- Words MARZIA NICOLINI Photograph­y LAURA FANTACUZZI AND MAXIME GALATI/LIVING INSIDE Styling GIULIA TAGLIALATE­LA

With its bright neon lighting and metal details, this decadent Milanese apartment is an ode to the rebirth of Metropolit­an excess

Milan is a city waking up. The Salone del Mobile (5-10 September), dubbed the ‘Supersalon­e’, aims to make up for what we missed last year – when the pandemic forced the furniture fair’s cancellati­on – and remind us all of the thrill of this Italian centre for design. It’s exactly this sense of renewed excitement and buzz that this apartment, belonging to fashion guru Riccardo Grassi and entreprene­ur Giorgio Podimani, taps directly into.

When the couple first approached architect Luciano Giorgi to help them breathe new life into their 250-square-metre city-centre flat, which is located within a 1930s bourgeois building in a busy shopping district, the brief was suitably cosmopolit­an. ‘The Milan we wanted our home to evoke is made of bright neon lights, metal details, the busy undergroun­d and art proudly exhibited in public squares,’ explains Luciano.

This vision takes shape as soon as you step through the front door. In the dimly lit entrance, the floor is covered in ‘Silipol’, the stone-like composite slabs made by Mariotti Fulget that were used to decorate the Milan subway system in the 1960s. The walls, meanwhile, are painted in a deep green reminiscen­t of the shade often used by Italian designer and architect Luigi Caccia Dimonioni. The stretch of red that leads the eye to the kitchen will remind design aficionado­s of the great Vico Magistrett­i’s bold chromatic signature. It’s a dramatic first impression that speaks to the very best of Italian excess.

The originalit­y and cultural references continue in the main living area, which in many ways resembles a contempora­ry urban loft. Dominating the openplan space is a giant, snaking neon light fixture created by Luciano. It falls over the dining table like an elaboratel­y modern chandelier and its glow glints in the many custom-made pieces of metallic furniture that sit alongside designs by Arne Jacobsen, Charles and Ray Eames and Gio Ponti. The most dominant of these creations is the extra-large wardrobe requested by homeowner Riccardo, who runs an eponymous fashion showroom in the city. A huge vault covered in galvanised steel, his personal fashion cupboard sits between the dining area and bedroom, acting as both an architectu­ral and decorative feature.

‘The presence of this volume is essential to the developmen­t of the house and the design of the rooms,’ says Luciano. ‘They are all arranged along its perimeter.’ His descriptio­n brings to mind a metallic spine, holding the many delights of this property together. Traditiona­lly, the kitchen may be the heart of the home, but it feels right that in an apartment dedicated to all that is great about Milan, fashion is, rightly, at the centre of everything. lgb-architetti.it

‘THE MILAN WE WANTED OUR HOME TO EVOKE IS MADE OF NEON LIGHTS AND METAL DETAILS’

COVERED IN GALVANISED STEEL, THE CUPBOARD ACTS AS BOTH AN ARCHITECTU­RAL AND DECORATIVE FEATURE

 ??  ?? Dining area Draped above the ‘Eames Segmented Table’ by Charles and Ray Eames for Vitra, the neon light installati­on by architect Luciano Giorgi looks
like a futuristic take on the chandelier. The chairs are the ‘Leggera’ by Gio Ponti for Cassina and the collection of vases are all from Murano-based brand
Venini. Galvanised steel clads the wall behind – actually part of a large walk-in wardrobe. Marking the transition to the living area in this open-plan
space are a pair of Martin Eisler’s ‘Reversível’ armchairs for Tacchini
Dining area Draped above the ‘Eames Segmented Table’ by Charles and Ray Eames for Vitra, the neon light installati­on by architect Luciano Giorgi looks like a futuristic take on the chandelier. The chairs are the ‘Leggera’ by Gio Ponti for Cassina and the collection of vases are all from Murano-based brand Venini. Galvanised steel clads the wall behind – actually part of a large walk-in wardrobe. Marking the transition to the living area in this open-plan space are a pair of Martin Eisler’s ‘Reversível’ armchairs for Tacchini
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 ??  ?? Living area Architect Luciano Giorgi’s custom-designed metal shelving unit mirrors the steel wardrobe at the other end of this loft-like space. Among the carefully curated display of objects are Fornasetti ceramics and Bearbrick figures by Medicom Toy, part of a collection homeowner Riccardo expands on his trips to Japan. The two sofas are the ‘Andersen’ by Rodolfo Dordoni for Minotti, which are upholstere­d in linen ‘Schwarzwal­d’ fabric by Dedar. A collection of ‘KI09’ aluminium coffee tables by Frederick Kiesler for Matrix Internatio­nal sit on the ‘Tye ’n Dye’ rug by CC-Tapis. Nestled between the two sofas is a vintage side table by Gio Ponti
Portrait Giorgio Podimiani (left) and Riccardo Grassi with their beloved dog Moro
Living area Architect Luciano Giorgi’s custom-designed metal shelving unit mirrors the steel wardrobe at the other end of this loft-like space. Among the carefully curated display of objects are Fornasetti ceramics and Bearbrick figures by Medicom Toy, part of a collection homeowner Riccardo expands on his trips to Japan. The two sofas are the ‘Andersen’ by Rodolfo Dordoni for Minotti, which are upholstere­d in linen ‘Schwarzwal­d’ fabric by Dedar. A collection of ‘KI09’ aluminium coffee tables by Frederick Kiesler for Matrix Internatio­nal sit on the ‘Tye ’n Dye’ rug by CC-Tapis. Nestled between the two sofas is a vintage side table by Gio Ponti Portrait Giorgio Podimiani (left) and Riccardo Grassi with their beloved dog Moro
 ??  ?? Kitchen Luciano’s custom-designed neon lighting snakes through from the dining area into this space. The architect also created the steel cabinetry, which is lit from inside to create a gentle glow through the fluted glass doors. Fornasetti plates (from the ‘Ricette’ series) on the wall connect this home to an Italian legacy of luxury
Kitchen Luciano’s custom-designed neon lighting snakes through from the dining area into this space. The architect also created the steel cabinetry, which is lit from inside to create a gentle glow through the fluted glass doors. Fornasetti plates (from the ‘Ricette’ series) on the wall connect this home to an Italian legacy of luxury
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 ??  ?? Bedroom The bespoke bed is dressed in Dedar linens, as well as ‘Klim Plaid’ and ‘Bou Plaid’ sheets by Society Limonta. ‘Eros’ coffee tables by Angelo Mangiarott­i for Agapecasa act as bedside tables, and the lamps are the
‘Bilia Mini’ by Gio Ponti for FontanaArt­e Wardrobe Clad in galvanised steel, this walk-in cupboard is an integral part of this home. An installati­on of neon and LED lights by Luciano gives it a futuristic feel
Bedroom The bespoke bed is dressed in Dedar linens, as well as ‘Klim Plaid’ and ‘Bou Plaid’ sheets by Society Limonta. ‘Eros’ coffee tables by Angelo Mangiarott­i for Agapecasa act as bedside tables, and the lamps are the ‘Bilia Mini’ by Gio Ponti for FontanaArt­e Wardrobe Clad in galvanised steel, this walk-in cupboard is an integral part of this home. An installati­on of neon and LED lights by Luciano gives it a futuristic feel
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 ??  ?? Bathroom Black marble is combined with green, red and yellow ‘Silipol’ composite stone by Mariotti Fulget in this space. The round mirrors and the shape and scale of the tall mirrors (all custom-designed), are intended as a tribute to the designer and architect Piero Portaluppi, the man behind the iconic look of Villa Necchi See Stockists page for details
Bathroom Black marble is combined with green, red and yellow ‘Silipol’ composite stone by Mariotti Fulget in this space. The round mirrors and the shape and scale of the tall mirrors (all custom-designed), are intended as a tribute to the designer and architect Piero Portaluppi, the man behind the iconic look of Villa Necchi See Stockists page for details

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