ELLE Decoration (UK)

YOUNG DESIGN TALENT OF THE YEAR

- MAC COLLINS

The ‘Iklwa’ chair is an impressive item. With its high back, constructe­d so as to empower those who sit in it, and arms and legs reminiscen­t of spears, it’s no surprise that the throne-like piece has caused a stir in the design world. As indeed has its creator, Mac Collins, who since his graduation from Northumbri­a University in 2018 has been making waves with his Afro-futurist forms that draw heavily on his own African-Caribbean and European heritage. Named after the Zulu thrusting spear, the original ‘Iklwa’ chair presented at his graduation show was a vivid blue inspired by the suit Collins’s grandfathe­r wore when he arrived in England, while the constructi­on takes its influence from Scandinavi­an design. ‘The project was an exploratio­n of my own identity and lineage,’ said Collins, speaking to ELLE Decoration last year. ‘It was in response to discoverie­s about my heritage and became an investigat­ion into how a design could evoke certain feelings.’

So striking in fact is ‘ Iklwa’, that it won the Belmond Award at New Designers 2018, and Hole & Corner magazine’s inaugural Cræftiga Award, for which Benchmark furniture’s MD and co-founder Sean Sutcliffe was a judge. It was this interactio­n that led to Collins’ collaborat­ion with the brand, which has seen ‘Iklwa’ developed into a consumer collection. Featuring the original chair, a smaller scale seat to suit more compact spaces and a side table, the pieces are available in a classic Scandi white oil and a warm orange, synonymous with clay tones found in sub-Saharan Africa. Launched in October 2020, it’s already gaining global recognitio­n.

Alongside his design work, as a member of the steering committee of Design Can, a platform promoting diversity in design, Collins is committed to making the industry more inclusive. ‘I’d like to see changes such as more opportunit­ies and exposure for people from different background­s and genders,’ he says. ‘The representa­tion of BAME and women designers is still disproport­ionate within major roles in the industry, and this needs to be rectified.’ (maccollins.com)

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PHILIP SINDEN

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